Word: tenderizers
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Dates: during 1980-1989
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Though they be traditional, the accolades in this case are befuddling, for A Change of Seasons is as abominable a film as anyone has made in recent years. possibly a critic might be tender-hearted enough to single out one or two cast members less injured than the rest by the explosion of this bomb; perhaps a few faint words of praise for the ending, which actually has a slightly engaging twist. But surely no one would say, "Wonderful, hilarious, often touching and always entertaining." Or "It's the best entertainment of the season." That Rex Reed, Syndicated Columnist...
...private side of the marriage remains tender, even romantic. Her names for him are Ronnie or "honey," and he favors "honey" with her. She is an unabashed sentimentalist. "I'm going to puddle up again" is her way of warning friends that she is about to cry. Neither Reagan remembers how or if he actually ever did propose marriage. Once, though, she told him how she wished it had been: that he had taken her for a canoe ride, strummed a ukulele, sang and asked her to marry him, while she trailed a hand langorously in the water. Reagan...
...three hours the crowd swelled with new arrivals: miners from Silesia wearing their traditional long black coats and plumed czaka, railway workers from Lublin, bus drivers from Pulawy. Hundreds of thousands strong, they spilled out into side streets, waiting patiently in the early twilight while the tender strains of a Chopin piano concerto wafted from a loudspeaker. They had come to Gdansk to honor the memory of 45 workers killed by police and army bullets ten years before in riots along the Baltic coast. At long last a monument had been built: three slender trunks of steel crowned by crosses...
...Bother Me, I Can't Cope worried that the show might inflame racial tensions. The gamble, however, pays off successfully, and the all-Black cast with their rhythm and bluesy score cut across racial boundaries by presenting life's frustrations, pains, rewards and hopes in a tender and human way. The production's air of naive amateurism, though unintentional, ends up bringing the actors' feelings closer to the audience, creating an atmosphere of cooperative hope...
This show is a box of delectable bonbons, most of them early 20th century musical Americana. Tintypes is tender rather than torrid, its nostalgia is toothsomely sweet, not gooey...