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Word: tenderizers (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...Happy!! doesn't obscure Elvis's problems, though. Sometimes, as on "Love for Tender," he seems like a rock and roll Noel Coward. His lyrics often get tangled in their own trickery, he mixes metaphors, he uses personal pronouns interchangeably and his enunciation is appalling. (I realize that these are symptoms of most rock artists, but Elvis is above all that.) Often it's a major task to determine the subject of a song, and it may take weeks of intense listening to discern any coherence. But the songs deepen with each newly-discovered phrase, and the rewards are great...

Author: By D. BRUCE Edelstein, | Title: Abyss and Costello | 4/7/1980 | See Source »

...side of the album is preoccupied with prostitutes, meaning all women, from the cheerily impersonal, pun-riddles "Love For Tender," to the spare, sprightly "Opportunity," with Steve Naive's organ bouncing brightly around the upper register as Elvis sings of the War, the baby boom, no jobs, and women who earned their money by pushing their "bedroom eyes." In "New Amsterdam," Elvis's deprecatory hymn to New York, the waltz time perfectly captures the invisible chains of people "living a life that is almost like suicide...

Author: By D. BRUCE Edelstein, | Title: Abyss and Costello | 4/7/1980 | See Source »

...work to the screen. It works as if the novella had been the treatment for a screenplay. Like O'Connor, they make these characters seem natural when, in fact, they are grossly unnatural. When Haze wraps himself in barbed wire, a sequence that is at first horrifying becomes tender and comic because these characters really breathe, bleed and smile. Fitzgerald even allows some of O'Connor's imagery to creep into the dialogue when Enoch describes a woman with "hair so thin it looked like ham gravy trickling over her skull...

Author: By David Frankel, | Title: Hellfire and Damnation | 4/5/1980 | See Source »

...town, are full of flavor and native humor. When the pallid, naive Loretta marries an Army veteran of 19 (Tommy Lee Jones) and moves with him to Washington State to raise a family, the couple's first ignorant encounters with sex and the outside world are conveyed with tender humor rather than condescension. When Loretta gets her first guitar and starts to pick and sing, the audience has no choice but to root for her. Her early successes-in local honky-tonks, on radio and at the Grand Ole Opry-are thrilling because the movie has so carefully delineated...

Author: /time Magazine | Title: Cinema: Starstruck | 3/10/1980 | See Source »

...unilateral decision to tender the offer upset some council members. Harberger himself says he warned Harvard officials that his appointment would cause "rumblings...

Author: By Celia W. Dugger, | Title: A Developing Storm | 2/9/1980 | See Source »

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