Word: tenders
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...wish: rarely has a jazz album come so directly from the heart. The opening cut, George Gershwin's I Loves You, Porgy, is exquisitely tranquil and songful, and the 10 tracks that follow are no less tender. Even Be My Love, Mario Lanza's high-C jukebox hit, is transmuted into a limpid cameo. The result is a record made to be played late at night, when the streets are empty, the air is still, and you feel like thinking about what might have been or could...
...center of the show, of course, is the mayoral candidate himself, Frank Skeffington, impressively brought to life by theatrical veteran Michael Ball. In his dignified portrayal of the aging political lion, Ball combines a shrewd mind with a tender heart to gain the audience's sympathy, achieving just the right balance of bravado and fragility. Alienated from his son and his own inner-life, Skeffington's whole identity lies within his political campaign--"the greatest show on Earth!"--so when he loses the election (trust me, I'm not giving anything away), he becomes physically and emotionally crippled. Certainly...
...example. The lyrics are just as tasteful. In each number, the chorus is a chanted repetition of the song's title, and the verses are a Willis story, often punctuated by someone getting stabbed in the ass or, in other instances, fellating a large mammal. His more tender tunes often declare that he loves a friend like "a milkshake" or "Post Raisin Bran...
...continues to maintain a firm and compelling grip on mainstream progressive-rock/metal since Awake, their breakthrough album. Scenes from a Memory, their eighth record, demonstrates the band's relentless ability to evolve despite holding onto many elements of the same old same old: heavy riffs, ambitious solos, and tender moments disintegrated by explosions of prog power. The album unabashedly flaunts its rock theatrics, with tracks divided into acts and scene. There's even a cast of characters. Although some tracks like "Overture 1928" and "The Spirit Carries On" reek of Rush's 2112 and Pink Floyd's The Wall...
...Through Oct. 31: "Jim Hodges: every way" (go for The End From Where You Are, a most tender deconstruction of silk flowers), "Home: Photographs by Shellburne Thurber" (documenting the decay of abandoned houses). Nov. 17-Jan. 16, 2000: "Sights Unseen: Shimon Attie, Photographs and Public Projects...