Word: tennysonian
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...book is more concerned with The New Yorker then than now. Gill's memories are mostly ebullient. They include, of course, Ross, that "aggressively ignorant" Midwesterner who bullied The New Yorker into shape. Thurber's portrait remains definitive, but Gill adds amusing embellishments. Once Gill included the Tennysonian phrase "nature, red in tooth and claw" in a "Talk of the Town" item. Ross's notorious innocence in literary matters ("Is Moby Dick the man or the whale?") prompted him to change the reference to "nature, red in claw and tooth." Gill explains as best...
When World War II looms, Susan tries to take her son to the U.S. But on the boat train John II (Roddy McDowell) refuses to go. ("You durn little English man," wheezes his mother, with tearful pride.) So they stay. John flirts innocently (against Tennysonian landscapes) with a farmer's daughter until it is time for World War II. Then he joins a Commando...
...Tennysonian notion that it is not a soldier's business to reason why is so much spinach to the U.S. Army; and this week the Army firmly said to hell with it. At Army posts all over the U.S., selected officers and civilians began to deliver twice-weekly lectures on post-World War I history, U.S. military and foreign policy, the contrary policies of the Axis...
...life, for he ended just where he started -in the horse-&-buggy age, without the addition of very much plumbing. Yet here in my own life, which is not entirely over, I am already in an entirely different world." A well-to-do upbringing full of Tennysonian sentiments, St. Swithin's prep school ("Play up-and play the game"), Harvard clubs, Boston society and Maine coast summers equipped Harry Pulham with snobberies and ideals for living in Boston of the 1890s. Suddenly he found himself an infantry lieutenant in France, an advertising man in cynical post-war Manhattan...
...Manhattan's mellow Century Club in the 1890s. Pyle, later joined by his star pupil, N. C. (Newell Convers) Wyeth, founded an informal art school at Wilmington, Del., where young Pyles and young Wyeths still make most of the art news (TIME, Nov. 15; 1937). Abbey's Tennysonian women and Pyle's nut-brown heroes haunted subsequent illustrators in oil. So did their love of historical romance. One of their stylistic descendants is Norman Rockwell (45), whose first Saturday Evening Post cover appeared in May 1916, and who has grown rich on the subsequent 185. A perpetually...