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Word: tenore (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...Boston Symphony Orchestra plays more than its share of unfamiliar compositions, but it seldom rallies all its forces as impressively as it did yesterday for Stravinsky's "Oedipus Rex," a work scored for mezzo-soprano, tenor, baritone and speaker as well as chorus and a full Stravinsky-sized orchestra. The effort was definitely worthwhile. There may be arguments about the style and form of the "Oedipus Rex," but there surely can be none about its interest to listeners on almost any level of musical training...

Author: NO WRITER ATTRIBUTED | Title: Boston Symphony and the Glee Club | 3/13/1948 | See Source »

Rome's operagoers remember Giuseppe Di Stefano as the handsome young tenor who sang Manon one night when terrible-tempered Tenor Lauri-Volpi fitfully refused to go on. But even before that, Di Stefano had gotten ovations that reached the ears of U.S. booking agents...

Author: /time Magazine | Title: Music: Giuseppe Arrives | 3/8/1948 | See Source »

Last week, Manhattan got its first chance to hear dashing, 26-year-old Di Stefano. New York's Italian opera fans, a demonstrative lot, were out in strength. As the Duke in Verdi's Rigoletto, Giuseppe's soaring tenor was always good, if not always golden; and he had a dramatic way of hanging on to his ringing top notes until the claque started. The claque's din was soon equaled by the audience's "bravos...

Author: /time Magazine | Title: Music: Giuseppe Arrives | 3/8/1948 | See Source »

Next day Manhattan critics joined in the bravos, but more temperately: Giuseppe, they said, has the makeup of a great tenor-if he works at it. They hadn't clacked so over a new tenor since Ferruccio Tagliavini first sang at the Metropolitan last year...

Author: /time Magazine | Title: Music: Giuseppe Arrives | 3/8/1948 | See Source »

Benjy and Peter Pears (for whom he wrote the leading tenor role of Grimes) arrived in the U.S. in 1939, moved in with Auden, in an arty household at 7 Mid-dagh Street in Brooklyn. It was a ramshackle, remodeled four-story brownstone whose architecture had fascinated Auden and his friends: from the street it looked something like a Swiss chalet. It was there that Negro Author Richard Wright later wrote Black Boy, and Novelist Carson Me Cullers wrote Reflections in a Golden Eye. Composer Paul Bowles worked at his Mexican ballet on the parlor piano (until Benjy quietly asked...

Author: /time Magazine | Title: Music: Opera's New Face | 2/16/1948 | See Source »

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