Word: tenore
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Dates: during 1940-1949
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...when Cio-Cio-San committed hara-kiri there were many tear-filled eyes. The Met's general manager Edward Johnson, who in his tenor days sang Pinkerton some 50 times, is inclined to absolve him. Said he: "He's no villain, really. He's a romantic-a biological romantic...
...program opened with the dreamy old song, Won't You Wait Till the Cows Come Home, accented by the tinkle of a cowbell and the recorded moo of a Jersey heifer. It closed with a gooey, sentimental ballad called Contented, sung by a weepy-voiced tenor ("I'm on heaven's own doorstep, so contented with you"). Between the moo and the mush, the Carnation Milk Co. poured out a half hour of semi-classical music as thick and sweet as its product. To keep its Contented Hour flowing smoothly, Carnation also hired such big names...
James Melton: Operatic Arias (Victor, 6 sides). The Metropolitan Opera tenor comes off better with two arias from Wagner, which he does not sing at the Met, than with two Mozart and two Massenet arias, which he does. Performance: good...
Perhaps the production's chief flaw was the lack of training in the soloists. Although Soprano Irma Cooper had a beautiful tone, she lost control when singing either loudly or high. Less noticeable in Eilen Repp, contralto, and Harold Haugh, tenor, the lack of control again appeared in Bass John Metcalf. His usual clarity deserted him almost completely during the intricate chromatics of the aria, "Why do the nations so furiously rage together...
...sold better than the last time the London Philharmonic played there. To the first session Gross invited a handful of notables to come and hear for themselves. Sir Adrian Boult, Pianist Myra Hess and Composer Benjamin Britten sent regrets, but Mrs. Anthony Eden came, and wrote a fan letter. Tenor Richard Tauber stuck it out for two hours, then said politely: "This is ... a complete change from the music to which I am accustomed...