Word: tenore
(lookup in dictionary)
(lookup stats)
Dates: during 1940-1949
Sort By: most recent first
(reverse)
NEWS AND REW RELEASES. The Count's latest: Blues featuring Lester Young's tenor sax pyrotechnics, a vocal by Jimmy Rushing, and an Earl Warren alto chorus backed by clean muted brass. Reverse, The Apple Jump, is graced by a very delicate Basic piano solo (OKEH) ... Best Five O'clock Whistle of the week is by Will Bradley (COLUMBIA). Ray McKinley and Doc Goldberg scat their way through the novelty vocal, and Bradley takes a swell trombone ride with a tom-tom backing... Johnny Hodges steals the show on Duke Ellington's Warm Valley (VICTOR), a slow, dreamy tune, arrangement...
...Johnny Guarneri, playing a harpsichord (!),, and Nick Fatool, whose drumming is reminiscent of Krupa at his best. Whole record jumps like hell. Reverse in Keepin' Myself For You, and makes good dancing...Count Basic cuts two sides of fast blues entitled The World Is Mad (OKEH), and stars the tenor sax of Lester Young, who plays some almost unbelievable jazz. Jo Jones and the rhythm section are exceptionally good...Harlan Leonard and his Kansas City Rockets show a lot of clean ensemble polish on A-La-Bridges (OKEH), a slow tune featuring a long tenor chorus. It's typical colored...
...issued an album of Count Basie piano, accompanied by Freddie Green, Joe Jones, and Walter Page. Just the thing for those who want to dig a rhythm section that doesn't have to sweat in order to swing. . . . Best solo of the week comes from Eugene Cedric's tenor sax, on My Mommie Sent Me To The Store, a BLUEBIRD recording by Fats Waller. . . . Charlie Barnet's arrangement of Night and Day (BLUEBIRD), gives new life to the old tune. The reverse, Wild Mab of the Fish Pond, features some very super-Ellington orchestration. . . . Latest on the New Goodman band...
...comics, and tap dancers. The De Marcos come down from the St. Regis and live to do a very nice bit of dancing. A troupe of jugglers awes very efficiently. Jane Pickens is lovely to look at and O.K. for listening, too, except when she teams up with some tenor fellow who flats around here and there as the show's romantic lead...
...offers U. S. womankind a program known as Luncheon at the Waldorf. Broadcast from the Empire Room of Manhattan's Waldorf-Astoria, the show is aimed at matrons with better-than-average bankrolls, is as sedulously shallow as a column by Lucius Beebe. Clearly responsible for the tenor of the Luncheon is Actress Ilka Chase, who not only serves as aerial hostess but writes the scripts as well. Last week before a free-feeding audience of 50, Luncheon at the Waldorf was fluttering smartly through its third 13-week period on the air under the sponsorship of Camel Cigarettes...