Word: tenore
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Dates: during 1960-1969
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...Herr denket" did, however, suffer slightly through being somewhat uniform in sound, especially since the entire soprano section sang the soprano aria, and all the men sang the tenor-bass duet, for no apparent reason. Part of the function of these solos is to break up the homogeneity of the choral sound, and though the chorus sang lightly and clearly enough to prevent their sounding rough or gross, the listener missed the delicate sound of individual voices singing ornate lines clearly intended for solo performance...
Grand opera's grand old man has been exercising his vocal cords only as a lecturer since his retirement in 1950. But when former Metropolitan Opera Tenor Giovanni Martinelli, 81, arrived in Seattle, the head of the Seattle Opera persuaded him to sing some of the old songs again, playing in Puccini's Turandot. In his younger days, Martinelli portrayed the swain Calaf, but now, costumed like a mandarin Lear, he sang the aged emperor. He was still in good voice, and the audience gave him two standing ovations. Was he satisfied with his performance? Of course...
Christa Ludwig, 32, daughter of German Tenor Anton Ludwig, also prepped as a cabaret singer during the hungry days after World War II, worked on the side as a seamstress (one of her more dubious creations: a red, white and black frock made out of an old Nazi flag). Her mezzo-soprano mother advised her "not to fall in love in a small opera house because then you may have to leave him behind when you go to a big house." Dutifully, Ludwig poured her heart into her art for nine years, finally graduated to the Vienna State Opera...
...week the Charles Lloyd Quartet had shocks aplenty for the rockers at Fillmore Auditorium, San Francisco's hangar-sized discotheque. Though modern jazz normally goes over with teen agers like a 9 p.m. curfew, Lloyd's passionate attack held them spellbound. Wrapping his gangling frame around his tenor saxophone, he explored the full range of the instrument, ricocheting be tween hoarse blats and urgent bleats, pouring out great churning whirlpools of sound. Dipping and bobbing as he played, he flew off on melodic tangents that were by turns coy and playful, ten der and savage. Then, taking...
...when he studied composition at the University of Southern California, steeping himself in Bartok, Stravinsky and the impression- ists by day, slipping off to play jam sessions by night. After earning a master's degree in 1961, he joined the Chico Hamilton Quintet and switched from alto to tenor sax because "it seemed to be the voice I was hearing. It can be such a bitch, but with it you can draw a line of prancing dolphins...