Word: tenore
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Dates: during 1960-1969
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...Prologue not in Heaven but in space. The Epilogue suggests Earth as a dying planet illuminated by the corpse of a setting sun. The production was strongly cast in other major roles. Carol Neblett, a vocally arresting but inexperienced soprano, did both Margherita and Helen of Troy. As Faust, Tenor Robert Nagy sang powerfully but with obvious effort. Julius Rudel's conducting rose successfully to the peaks but tended to coast through the occasional deserts of Boito's score...
...Cliffie accused herself of selling out. "I felt that by conforming I was eradicating all that was me in my personality. By pretending to be cheerful when I wasn't or by adjusting the tenor of my conversation according to whom I was talking to, I thought I was being hypocritical. I fought all my compromises. I would stare at the person before whom I thought I was compromising myself until my eyes burned...
...within the services." Before his press conference last week, Laird thoroughly briefed General Earle Wheeler, J.C.S. chairman, on what was to be announced. The first thing the Secretary did after the conference was to give Wheeler a full rundown of the question-and-answer segment. Says the general: "The tenor of doing business in the Pentagon has changed, and it is a productive change...
Other alterations go far beyond tenor. Laird has put one of his oldest personal friends, Assistant Secretary for Administration Robert Froehlke, in a coordinator's role over the Defense Intelligence Agency and the National Security Agency to ensure that they com- plement each other rather than work at cross purposes. He has set up a Domestic Action Council within the Pentagon to contribute to Government antipoverty efforts. He has downgraded the Office of International Security Affairs, one of McNamara's favorite shops, which acted as a little State Department within the Pentagon. Now it is more concerned with performing studies...
...many critics that she is the world's greatest interpreter of the role. New Zealander Donald Mclntyre, who was impressive last year as Barak in Richard Strauss's Die Frau ohne Schatten at Covent Garden, used his deep baritone voice as an apocalyptic Dutchman. Alabama-born Tenor Jean Cox, as Erik, successfully followed Everding's instructions to behave as if he were "the only normal human being in the action...