Word: tenore
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Dates: during 1960-1969
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...singing sometimes adds to the splendor of the music. James Paul, as the ghost Peter Quint, can evoke lurking evil, great power, and blinding charisma with his smooth tenor, and gives a truly frightening performance. The governess, Jean Marshall, has an accurate, pleasant voice that is sometimes too weak; but it is her acting, not her voice, which makes us care about her even more than we do about the beautiful, corrupted children. Their main difficulty is that their voices aren't quite strong enough; and in the chimes scene, where their hymn deteriorates into a satanic chant, the horrifying...
...darem" duet with Giovanni. Bass Tom Weber, while rather dry-sounding and somewhat strained, made the most of Leporello's varied moods and tasks, though perhaps not with the same hilarity of his Don Alfonso (of last year's Cori). Less satisfactory were the nasal tenor of August Paglialunga, a peculiarly huge Don Ottavio, and the half-sung Masetto of Don Meaders...
...fifth year with the Harvard Glee Club, Epps is Assistant Conductor and a magnificent first tenor. But only last year, activity in the Glee Club led to an ugly incident while the Club was on tour in the South. Epps, one of the best singers in the Glee Club, was scheduled as one of eight members to perform over a Southern TV station. The management of the station refused to let Epps sing, and Epps quite legitimately cried discrimination. But his musical penchant has had a brighter side also, and Epps is advisor of the Leverett House Opera Society which...
...charts. But give him a subject and a guitar and he comes up with a song in ten minutes. RCA Victor arrangers transcribe the work for him which he describes as "kind of intermediate between ballad and country-western, with maybe a little calypso." Then, with cracking, lackluster tenor and a backing of RCA trumpets, or fiddle and humming voices, he croons away. For the most part, the ballads are banal and ridden with sentimentality ("Here's the mail that came today/ His silver wings and green beret; Come all ye young maidens, and hear my sad tale...
...name" singer, if any, in Miss Caldwell's production was Mexican operetta star Placido Domingo, who sang the title role of Ginastera's Don Rodrigo with the New York City Opera this season. As Hippolyte, his lyric tenor projected warmly and well controlled, with little hollowness or break between registers. Unfortunately, he is no Bergonzi; Domingo's sound is marked by continual tightness and lack of real ring. Perhaps his singing on unfamiliar French vowels was part of the problem. His acting usually remained typically tenoristic; that is, non-existent. But Domingo's forthcoming reappearance (opposite Renata Tebaldi...