Word: tenore
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Dates: during 1960-1969
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...quibble with the show's numerous song and dance numbers. If this review were to mention all the good ones, it would end up becoming a Rabelaisian shopping list. Terrence Currier--who too often seemed to underplay his being the play's resident skeptic--unleashes a good, old-fashioned tenor. Ted D'Arms as Monsewer, an English anglophobe (a part almost too small for the amount of good things he puts into it) does a bit called "The Captains and the Kings" which would be the high point in any Tony Richardson film. And, as far as showstoppers, there...
...impulse!) Sanders reaches to the religions of the Far East for his spiritual overtones, using an assortment of percussion instruments, horns, bells and even incantations. In The Creator Has a Master Plan, sensuous, mesmerizing sounds roll over repeated phrases, curling peaceably upward like incense. In Colors, Pharoah's tenor saxophone begins a tempest of cries and emphatic screeches that hint at lurking discord in the universe. The harmonious moments of his music, though, far outnumber the discomforting ones, and suggest a passionate belief in man's perfectibility...
...would assume from the tenor of your article that 53.3% of the voting public of L.A. is racist. The precinct analysis reveals that over 95% of the Negroes in predominantly Negro areas voted Bradley while the Whitey areas voted Yorty by only 65%. Who are the racists? STUART VON Los Angeles...
...centennial of its baroque musical shrine on the Ringstrasse. One of the city's favorite visitors, Leonard Bernstein, opened the festivities with a stunning performance of Beethoven's Missa Solemnis. Next evening Karl Böhm conducted Beethoven's Fidelia, with a cast that included American Tenor Jess Thomas and Soprano Leonie Rysanek of New York's Metropolitan Opera. The week's musical highlight was undoubtedly Mozart's Don Giovanni, which was performed on the gala May night in 1869 when the Emperor Franz Josef presided over the opening of the huge sandstone operatic...
...another Golden Age of Viennese opera by stressing dramatic stagecraft as well as musical excellence in his productions. The years that followed were a time of great names (Enrico Caruso, Maria Jeritza, Lotte Lehmann, Bruno Walter and Arturo Toscanini) and spectacular gestures. Many Viennese still remember the flamboyant tenor Jan Kiepura, who after performances serenaded his fans from the roof of a taxicab outside the stage door...