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Word: tenore (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...motives deriving partly from the sounds of the ancient Church Slavonic language ("Glagolitic" is the name given to its written form). From the first brassy fanfare, Czech Conductor Rafael Kubelik leads the Bavarian Radio Orchestra and Chorus in a rousing performance, with brilliant singing by Soprano Evelyn Lear and Tenor Ernst Haefliger...

Author: /time Magazine | Title: Television: May 7, 1965 | 5/7/1965 | See Source »

...this point people (some of them Lampoon members) began to chant absurd political slogans. The tenor of the rally thus far had not been even slightly serious and the political chants were not introduced in a serious vein. If one shouts "War! War! War!" in the same tone that he shouts "Here we go 'round the Mulberry bush" the obvious implication is that he is not to be taken seriously...

Author: NO WRITER ATTRIBUTED | Title: THE LAMPOON REPLITS | 4/21/1965 | See Source »

...Smile." Donovan has a more outgoing personality to sell such ideas than had Gross. Hissed by the city's ever-outraged pressure groups, he has remained cool. He is a persuasive, fact-conscious speaker. His tenor delivery of Galway Bay at public dinners sets Irish eyes to smiling; his show tunes at bar mitzvahs please Jewish friends. A joiner, he is an American Legionnaire, an executive board member of the National Council of Catholic Men, and a member of Citizens for Decent Literature. A sign on his desk reads...

Author: /time Magazine | Title: Public Schools: New York's Take-Charge Man | 4/16/1965 | See Source »

...even when recorded, as this was, during a performance (the opening of the rebuilt National Theater in Munich). Basses Otto Wiener and Hans Hotter give their well-established interpretations as Hans Sachs and Veit Pogner, but the freshest voices belong to two Americans, Soprano Claire Watson as Eva and Tenor Jess Thomas as Walther...

Author: /time Magazine | Title: Television: Apr. 9, 1965 | 4/9/1965 | See Source »

...parts in summer stock and off-Broadway until I got a big role in Jerico-Jim. My voice range had moved up a bit, and I was a baritone there. It's still not stabilized. Right now my usable range goes from a bass' low E to a tenor's high C. Who knows?--maybe I'll wind up a dramatic tenor...

Author: By Caldwell Titcomb, | Title: Gilbert Price--Velvet on His Voice | 4/1/1965 | See Source »

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