Word: tenore
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Dates: during 1960-1969
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...here, and it is unlikely that anyone could be more eloquent. He does not set the Dies Irae ablaze as Toscanini did, but his performance has a steady incandescence. Honors also go to London's Philharmonia Orchestra, its huge chorus, and the four soloists, Soprano Elisabeth Schwarzkopf, Tenor Nicolai Gedda, Bass Nicolai Ghiaurov, and the especially lustrous Mezzo-Soprano Christa Ludwig...
...Mimi, which she has sung at La Scala, Mirella Freni, 29, an Italian lyric soprano of talent and beauty, can hold her own with Tebaldi, De los Angeles and Moffo. Her voice is easy and focused, but her particular strength as the little seamstress is her touching youthfulness. Tenor Ni colai Gedda is equally melodious and moving as her lover. Thomas Schippers conducts the Rome Opera House Orches tra and Chorus impetuously but artfully...
...beginning, Soprano Leontyne Price sounds outsized, more like Lilith than a simple gypsy, but the opera soon rises to her voltage. Tenor Franco Corelli manages a convincing disintegration as Don Jose, and Baritone Robert Merrill's Escamillo exudes male vanity. Mirella Freni makes a sweet-voiced Micaela. Conductor Herbert von Karajan colors the Vienna Philharmonic Orchestra sensuously, generally keeping the tempos down and the temperature up; the smugglers' quintet reaches a high pitch of excitement...
COLTRANE'S SOUND (Atlantic) is free, air borne and intense; his tenor sax describes a flashing, looping melodic maze in his composition called Liberia, pokes broodingly into small, dark corners in Equinox, has the jitters in Satellite. The fine drum mer Elvin Jones explodes some free-style fireworks...
...actors are stuck with expressions of immaculately liberal sentiment, as when the Negro suitor tells his father: "Pop, we're in love, just like you and Mom. What difference does it make if she's black, white, purple or green?" Fledgling Director Larry Peerce (son of Tenor Jan Peerce) too often stages the action with operatic solemnity, and an insistent musical score stresses points already made. For all its sincerity, One Potato, Two Potato is an effusive message film with more heart than art, more timeliness than truth...