Word: tenore
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Dates: during 1960-1969
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...shapely young ballerinas mimicked the sensuous rhythms of a belly dance. Portraying Bedouin tribesmen, a chorus of 150 men sang a lusty hymn to Allah. At sunrise, the wailing voice of the muezzin filled the concert hall, summoning the faithful to prayer. "O lonely night, last forever," crooned a tenor, looking across the moonlit sands. "You've made me learn to live and love...
...guitar, there is Segovia; for the cello, Casals; and for the tenor saxophone, there was Coleman Hawkins. Before him, the instrument was a straw among the winds, used only for nasal accents in the background of jazz bands. "Bean," as Hawkins' friends called him, transformed it into an expressive solo voice that could breathe lyrical long tones on ballads or erupt into flights of dazzling arpeggios. In a sense, it could be said that he created the tenor sax, and players from Ben Webster to Sonny Rollins and John Coltrane have acknowledged their debt to his inspiration and style...
...that right? Well I'm glad you made this one, cause look at all these fine women they got out here today." He winked and chuckled softly. Then he put the mouthpiece of his tenor sax to his lips and made a sort of "zonk" deep in the lower register. Just behind Emanuel, I spotted "Booker-T" Glass, the 85-year-old bass drummer. He was standing erect behind the clumsy, weathered old drum. The painted letters on the sides were barely visible: "Olympia Brass Band...
...times were hard, but McKuen had a sweet tenor voice. In 1961 he wrote the music for a song that became a hit, The Oliver Twist. Capitalizing on his success, he set off on the road, doing 80 cities in eight weeks and singing his heart out. He sang so hard that his vocal cords were irreparably damaged; he was told that he would never sing again. But McKuen kept on, even though the tenor voice was replaced by a hoarse croak...
...derives from a dulcissimo consort whose colors are determined by the whites and blacks of the human voice. St. Nicolas, like most of Britten's work, is characterized by self-effacing virtuosity, ingenuous theatricality, and effortless joviality. The Glee Club-Choral Society performance was vigorous and eminently enjoyable, with Tenor soloist Robert Gartside, the excellent solo violin, and the accomplished boy soloist all deserving particular praise...