Word: tenore
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Dates: during 1960-1969
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...Blues (The Horace Silver Quintet; Blue Note) is a fascinating marriage of Latin rhythms to Oriental melodies, presided over by the lingering blues sound of Silver's piano. Gene Taylor's bass solos are the best expression of this trans-Pacific bossa nova, and Junior Cook on tenor sax makes the trip seem pleasant and short...
...000th anniversary, Hindemith's new cantata is scored for three vocal soloists, a chorus and orchestra, and is based on the Fastnacht, or pre-Lenten festival, for which Mainz is famous. The text, partly by Hindemith and partly by Playwright Carl Zuckmayer, has the soprano and tenor soloists singing only in Mainzer dialect while the baritone sings in high German. Soprano and tenor are supposed to be watching an imaginary Fastnacht procession passing before them as they face the audience, and in the roles of low comics exchange opinions with the baritone about the history of Mainz. The exchange...
...Gifted with absolute pitch and an IBM memory that swallows symphonic scores at a glance, Maazel conducts with clear, functional beauty, avoiding ostentation to such a degree that he occasionally loses the spirit of his work in his wish to perfect it. When a tenor faltered during Maazel's Der Rosenkavalier, the maestro coolly ignored him, pushing ahead with a relentless beat that humiliated the singer and ruined the song. But in the concert hall, his command of the orchestra is invariable, and his reading of the great scores is almost errorless...
Maxim Karolik, 69, the opera tenor from Petrograd who emigrated to the U.S., married a proper Bostonian millionairess and became the most conspicuous collector of 19th century American art, divides most of his time these days between his late wife's summer mansion in Newport and the Ritz in Boston. At the Ritz he usually lunches alone, but every few bites he springs across the room to greet in heavily accented English some acquaintance at another table. In Newport his batonlike index finger waves to the accompaniment of an avalanche of talk, which is usually about Maxim Karolik...
...week's two most important debuts ∙Tenor Jess Thomas, 35, sang Walther in the Met's production of Die Meistersinger, and should have won a pocketful of raves. In the demanding role, his voice soared in steady flight above the stentorian heaviness of the Wagnerian orchestra: after the ardors of two long acts, he still had a great reservoir of lyric beauty left for the Prize Song that finishes the performance-and finishes the pretensions of a good many tyro tenors with it. A big (6 ft. 3 in.) and muscular South Dakotan, Thomas may well...