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Word: tenore (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...which is not a great opera-or even a very good one. Chénier, as General Manager Rudolf Bing candidly admitted, was the right length for an opener, and it had enough intermissions (three) to give first-nighters plenty of touring time in corridors, restaurant and lobbies. With Tenor Franco Corelli and Soprano Eileen Farrell in the lead roles, Chénier gave the audience an evening easy on the ears-and light on the emotions...

Author: /time Magazine | Title: Music: Boost for Wagner | 10/26/1962 | See Source »

Power to Spare. The real standouts, however, were Tenor Sandor Konya as Walther and Baritone Otto Wiener, who was making his Met debut in the role of Sachs. Hungarian-born Tenor Konya displayed a voice that had warmth, agility and power to spare; in his last act Prize Song he came as close as any man can to stopping a Wagnerian opera in its tracks. Baritone Wiener did not have a voice of flogging power, but he dominated the stage by sheer dramatic invention; he made Sachs a completely human figure...

Author: /time Magazine | Title: Music: Boost for Wagner | 10/26/1962 | See Source »

...Voice of Firestone (ABC, 10-10:30 p.m.). Guests: Tenor Richard Tucker, Ballerina Maria Tallchief, Soprano Patrice Munsel...

Author: /time Magazine | Title: Cinema: Oct. 12, 1962 | 10/12/1962 | See Source »

...while on a State Department-sponsored tour of Latin America. It was simple, Byrd discovered, "to play a very full jazz solo with this stuff; you can do a great deal that you can't do with regular four-four time." Byrd cut a bossa nova album with Tenor Saxophonist Stan Getz. Soon there were bossa nova recordings by, among others, Vibraharpist Cal Tjader, Bandleader Lionel Hampton, Saxophonists Sonny Rollins and Zoot Sims. The record companies, hungry for a trend, are now ready to rush 15 or so albums with bossa nova numbers onto the market. Among the featured...

Author: /time Magazine | Title: Music: Bossa Nova | 9/21/1962 | See Source »

...City last week, Stuarti was first heard as an offstage voice throbbing out Yours Is My Heart Alone; by the time he sailed into the last bars he was standing in a lavender spot, stage center, teeth gleaming to the glow of applause. After that, in a handsome dramatic-tenor voice, Stuarti worked through such standards as If Ever I Would Leave You, Arrivederci, Roma, Sorrento, Three Coins in the Fountain. The evening ended with a tearful Danny...

Author: /time Magazine | Title: Music: Thatza My Boy | 9/7/1962 | See Source »

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