Search Details

Word: tenore (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...looms. For his own works Lurcat has shunned the standard "library'' of 14,500 different tones of wool and adopted a more practical 13 colors; he has also restored the old 14th century weave of six threads per centimeter to produce a more vigorous texture than the tenor eleven-thread count of the more recent "corrupt" period...

Author: /time Magazine | Title: Art: The Heroic Art | 8/31/1962 | See Source »

...since he was nine, had been making good money working proms and club dates from his mid-teens. ("I never played for $5 a night in my life," says Hawkins with pride. "I was always a rich musician.") As the first jazzman of any real talent to play the tenor sax, Hawkins quickly built a reputation and an ardent following. He added to both in 1939 when he and his own nine-piece band cut Body And Soul, one of the most famous jazz disks ever recorded. Hawkins stayed as active in the bopping '40s as he had been...

Author: /time Magazine | Title: Music: Play the Way You Feel | 8/31/1962 | See Source »

Wagnerians received their first big jolt at the end of Act I, when Isolde (Soprano Birgit Nilsson) and Tristan (Tenor Wolfgang Windgassen) embraced in full view of King Marke, who usually does not appear -or suspect the illicit love-until the end of Act II. The second act, like all the others, was provided with looming, symbolical sets, dominated by a huge shaft ("Of course, I meant it as a phallic symbol," snapped Wieland. "This is what the entire opera is all about, isn't it?"). The enthusiastic opening night crowd gave the reconstructed Tristan an unprecedented 30 curtain...

Author: /time Magazine | Title: Music: Tristan und Freud | 8/24/1962 | See Source »

...From the tenor of the remarks, it was clear that the Republicans thought they had found a strong issue for 1962's fall campaign-and perhaps beyond...

Author: /time Magazine | Title: The Atom: Rebuff in Geneva | 8/17/1962 | See Source »

...cohorts live up to the demands of the musical, but without any great distinction. Lester James finds the higher parts of the tenor lead somewhat too demanding and resorts to bleating on occasion. As Manon, Constance Lambert does well enough with a nebulous part. Lights, costumes, choreography, and the chorus each show professional handling. The musical director Robert Mandell deserves particular praise for the lush sound he gets out of his orchestra. At North Shore, the orchestra is located in a box-like enclosure that funnels out into the theatre, and this fact may account for the volume and fullness...

Author: By Richmond Crinkley, | Title: Bittersweet | 8/16/1962 | See Source »

Previous | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | Next