Word: tenore
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Dates: during 1970-1979
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...sexy and mercurial, as much the victim as the exploiter of her powers. She was superbly matched by Baritone Franz Mazura's richly shaded portrayal of the newspaper magnate Dr. Schön, Lulu's patron and eventual husband. The rest of the cast was excellent too: Tenor Robert Tear as a naive painter undone by Lulu, and Bass-Baritone Toni Blankenheim as the mysterious Schigolch, Lulu's father, a former lover or perhaps a symbol of death...
...piece. "Wednesday Night Prayer Meeting" goes back to 1959, when Mingus recorded it on his Blues and Roots album. This arrangement begins and ends with singing and handclapping, which set a tone of unrestrained fervor. The climax of this rough and rambling church shout is a flaming tenor solo by Ricky Ford, the last in a long line of great saxophonists who discovered themselves in Mingus's Jazz Workshops. In "Caroline 'Keki' Mingus," a ballad, altoist Lee Konitz lovingly introduces a theme which is then caressed by the ensemble with a grace that can only recall Mingus's one-time...
...adultery and attempted murder become almost folksy episodes in Crimes of the Heart. Playwright Beth Henley spins out a web of relationships among three Mississippi sisters, and, though the actresses (Kathy Bates, Susan Kingsley and Lee Anne Fahey) are uniformly fine and the play a potential crowd pleaser, the tenor of the evening is mostly that of an afternoon TV soap...
...Palace brings dramatic continuity to a genre (vaudeville) which often suffers from the lack of it. The songs, the dialogue, and even the dancing help create a detailed and remarkably consistent portrait of Masiell. Born in Brooklyn, Masiell was raised in the shadow of his father, a lyric tenor, and adulates him to this day, calling him "kind of an early Italian Tom Jones." At least two songs, Io e Te" and Hey Poppa," reflect his father's influence, and while their sentimentality mars the fluency of the program a bit, Masiell's ever-emerging humanity and impassioned delivery thoroughly...
...even more emphatic about his intentions: "An artist must be a reactionary. He has to stand out against the tenor of the age and not go flopping along." As a conservative convert to Roman Catholicism, Waugh decried the aims of Vatican II, the un-Latinizing of the Mass and papal excursions too far from Rome...