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...understand his desire to win and his enthusiasm for winning and the great frustration at the outcome of the game," Mintz, who oversees the athletic department, told The New York Times. "But I cannot condone the castigation of a single player or the general tenor of his comments...

Author: By Jeffrey A. Zucker, | Title: Columbia Warns Coach About Comments | 9/24/1985 | See Source »

Miller, a sever-year veteran of the admissions office (two as director of financial aids), said that he thought Jewett's setting of "the tone and tenor of each year's application process" would be sorely missed. He added, however, that he didn't think there would be any visible signs of Jewett's departure in the office's daily operations...

Author: By John Rosenthal, | Title: Jewett's Move to College Leaves Admissions Gap | 8/2/1985 | See Source »

Vocal quality was high throughout: Tenor Rene Kollo's sturdy Siegfried, Bass- Baritone Walter Berry's crafty Alberich, the ripe Fricka of Mezzo-Soprano Hanna Schwarz in Das Rheingold. A delightful bonus was the Walkure Fricka and Gotterdammerung Waltraute of Vienna-born Mezzo Helga Dernesch, who some years ago was an important Isolde and Brunnhilde. Combining her still considerable power with a riveting dramatic presence, Dernesch gave a lesson in Wagnerian artistry. Conductor Edo de Waart was too often cautious when he should have been impetuous, but he roused himself in Gotterdammerung to deliver a reading of surge and sweep...

Author: /time Magazine | Title: Music: At Last, a Singer's Ring | 7/1/1985 | See Source »

Liszt: A Faust Symphony; Two Episodes from Lenau's "Faust." (James Conlon conducting the Rotterdam Philharmonic Orchestra, with John Aler, tenor, and the men's chorus of the Slovak Philharmonic; Erato.) In the Faust legend, the romantics found all the excesses they craved: sex, violence, power, the diabolical, damnation and salvation. And in Franz Liszt, who had more than a whiff of the necromancer about him, the Faust story found an ideal musical interpreter. In works such as Malediction and Totentanz for piano and orchestra, the four Mephisto Waltzes for solo piano and, most ambitious of all, the Faust Symphony...

Author: /time Magazine | Title: Music: Tunes From the Darker Side | 6/24/1985 | See Source »

...sedate home-life t, the life of an exotic whore, to a harem. Leaving the intricacies of the plot to the audience and to the realm of fantasy, the overall consistency of performances commands much respect Meredith's Candide is amazingly native up until the very end; his magnificant tenor voice as beautiful during his melancholy solo. "It Must Be So," and it harmonizes wonderfully with Hughes Cunegonde as well. Other wonderful performances include Valerie Gilbert's spunky role as Cunegonde's companion. Ty Warren's lecherous governor, and Carol Emert and Lisa Zeidenberg's sheep...

Author: By Rebecca J. Joseph, | Title: The Best of All... | 5/3/1985 | See Source »

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