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...funeral. The voice of English-born Drummer Andrew Hall, leader of Society Jazz: "You know his music had real feeling. He was funny too. He used to stick his finger in his ears while he was playing to check intonation. Said he could hear himself better that way." Tenor Saxophonist Teddy Johnson: "He was always ready for a laugh, always joking, making up nicknames for people. I called him Big Chief." There is wordless comment in the fact that musicians from not only Society Jazz but several other bands (Olympia, Tuxedo) have turned out to make sure that...

Author: /time Magazine | Title: In Louisiana: Jazzman's Last Ride | 4/20/1981 | See Source »

...tenor of the times," she says of that period. "But during the past campaign, and certainly since the election, the only thing we felt was such warmth and affection that [fear of attack] wasn't up front Her restraint begins to dissolve as she goes over the events of Bloody Monday. She was on the third floor of the mansion, in guest quarters that are still being renovated, when a Secret Service agent told her: "There has been a shooting. The President has not been hit, but he is at the hospital." She decided to leave immediately, even though...

Author: /time Magazine | Title: An Interview with Nancy Reagan | 4/13/1981 | See Source »

...Kennedy-Onassis marriage was not a success. He continued to see Maria and, reports Biographer Arianna Stassinopoulos, just before he died in 1975, he hired Roy Conn to start divorce proceedings against Jackie. But the diva's happiness was over. An affair with Tenor Giuseppe di Stefano was doomed; the poor man could not match her memory of Onassis. She declined rapidly after several illnesses, and it was not really surprising when she died in Paris, at 54, living in comfort but alone...

Author: /time Magazine | Title: Books: The Grandest Diva | 3/23/1981 | See Source »

Though few escape awkward moments on stage, all the characters rise to moments of lyrical grandeur. Peter Cody, a visitor to the Harvard stage, begins his Nemorino with a strong tenor voice and a characterization even more bumbling than the plot requires, but the magical elixir appears to ease his stiffness. His second-act aria to Adina surmounts the frilly animation of the production, creating, somehow, a wrenching summer-night sweetness between the cardboard storefronts...

Author: By Amy E. Schwartz, | Title: Under the Chandeliers | 3/12/1981 | See Source »

...shocked if the camp phenom turns out to be a young pitcher. There is more untested talent throwing on Winter haven hills this spring than this organization has seen in a long while, and given the starting-over tenor of the squad this year, Houk may turn to a youngster for his tenth pitcher...

Author: By Bruce Schoenfeld, | Title: Red Sox Prospectus: The Young Arms | 3/6/1981 | See Source »

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