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Gato Barbieri, the Argentinian tenor sax player, brings a similar spirit to his jazz. Whatever jazz purists may say, Barbieri--who has been criticized for being overly slick--has produced a rich new album this year. He was greatly influenced by John Coltrane and Ornette Coleman, and from 1964 on has gained a reputation as a leader in avant-garde jazz. His work has inclined lately to the near-orchestral, but his sax still sounds the way a glider might sound if it made music--it soars and dips smoothly, apparently without artifice. He plays a long and difficult...

Author: By Diana R. Laing, | Title: Mardi Gras, Gurus & Dragonflies | 3/4/1977 | See Source »

Eliot House Music Society--A performance of Rossini's Petite Messe Solonnelle. With Patricia DiRe, soprano; Maria di Stefano, mezzo-soprano; J. Scott Brumit, bass; J. Stephan Reed, tenor; Gisela Krause, piano; and Wayne Schneider, harmonium...

Author: By Richard Kreindler, | Title: CLASSICAL | 2/9/1977 | See Source »

...third volume of Neruda's Residence on Earth, so different in tone from the first two, pays homage to that destruction and marks the distinctive change in the tenor of his poetry. He writes in his Memoirs of his change from naturalistic verse to political...

Author: By Margaret A. Shapiro, | Title: The Song Was Not in Vain | 1/31/1977 | See Source »

Died. Roland Hayes, 89, internationally acclaimed tenor who helped open the concert stage to blacks; in Boston. The son of Georgia slaves, Hayes studied singing in the U.S., but had to travel to Europe to gain recognition as a performer. After entertaining the royal family at Buckingham Palace, in 1923 Hayes returned triumphantly to America, where he sang with symphony orchestras and in recitals for more than 50 years...

Author: /time Magazine | Title: Milestones, Jan. 17, 1977 | 1/17/1977 | See Source »

...Stay," a Blue Note re-issue featuring Freddie Hubbard, goes far to proving that the old Hubbard, the just-breaking-in-brash-young Hubbard, could do things that the more esteemed Hubbard could not even understand now. This album gives you the best of Hubbard and some terrific tenor sax by Jimmy Heath and Wayne Shorter. Cedar Walton shows why he is still one of the most under-rated pianists in his smooth accompaniement. The album is fortunate to have "Hub Cap", a long unavailable cut featuring Hubbard, Heath, and Philly Joe Jones, among others. And, for those...

Author: By Jim Cramer, | Title: Cambridge Focus | 1/13/1977 | See Source »

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