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...explicit socialism distinguishes In These Times from the politics of numerous hip-capitalist papers like the Village Voice, or the Real Paper. And its low-key style makes its stated concern with democracy more credible than leftist papers whose strident rhetoric gives anti-capitalism an authoritarian tenor...

Author: By Peter Frawley, | Title: Rehabilitating the Left | 11/30/1976 | See Source »

Dunster House Music Society. A program of Renaissance Madrigals in the library at 5:30 p.m. Shira Perlmutter, soprano; Steven Denenberg, tenor; Sue Jones, alto; and Tom Moore, bass. Free...

Author: NO WRITER ATTRIBUTED | Title: Concert Listings | 11/18/1976 | See Source »

...Caliente, which has managed to find playing time on several local FM stations. Gato is up from South America, but he has been away for so long that one wonders whether his style hasn't taken on a totally American approach. But there is a gutsy resonance in his tenor that can't be found in American musicians. One of the first to embrace electricity in jazz, Gato has refined the sound so much that the gizmos don't interfere in his playing. He is a tremendous musician when he finds it in him, but he hasn't shown Bostonians...

Author: By Jim Cramer, | Title: For Three Days Boston Becomes The Jazz Capitol of the World | 11/18/1976 | See Source »

...once does this slightly preposterous histriography descend to boffo-ness. With a less surrealistic touch Borowczyk maintains the same tenor of classy send-up that Bunuel attained throughout most of The Discreet Charm of the Bourgeoisie. Dissected a bit more, the whole business might be interpreted as a restless and repressed Victorian fantasy. But let's refrain from spoiling with pretentious theories a film that makes such good fun of its own pretentious style. Call Story of Sin a paean to romanticism in reverse. And take with a grain of salt its subject matter: the exquisite fruitness...

Author: By Mark T. Whitaker, | Title: A Zhivago That Sizzles | 11/16/1976 | See Source »

...regular press did some of its best work in reporting and analyzing the volatility of the public's mood. Perhaps it overemphasized-and contributed to -the public frustration because it felt that frustration. But the tenor of the campaign for better or worse-mostly for worse-was set by the candidates themselves...

Author: /time Magazine | Title: The Press: A Long Night at the Races | 11/15/1976 | See Source »

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