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...Even Tenor. The impact of M-day was more than the sum of its disparate parts. Hundreds of thousands of Americans found, face to face, that they had a common cause. Those who participated actively may be only the visibly restive; many sympathizers and many others merely interested watched the day's events unfold on television. "Probably the majority of the country were touched in some way by the outpouring," TIME Washington Bureau Chief Hugh Sidey concluded. "It was the collection of smaller events in the churches, the schools, the town halls and on the sidewalks that gave...

Author: /time Magazine | Title: Nation: M-DAY'S MESSAGE TO NIXON | 10/24/1969 | See Source »

...Ford Foundation had funded the Committee and four others like it in major universities. I wondered what they had expected to find. But more than that, the tenor of the report seemed concerned with questions far different from the present interests of the Center. The report said that the Center should look into "Cultural Differences and International Understanding." They were also interested, on a scholarly level I suppose, in "Domestic Determinants of Foreign Policy." The main problems, from the eyes of the behavioral scientists, seemed to be not enough researchers, not enough money, and not enough time to think about...

Author: By Richard E. Hyland, | Title: Can We Know the Dancer from the Dance? | 10/22/1969 | See Source »

...sequence reveals the tenor of the girl's growth. She has gone to the town library just at closing time to check on her uncle's possibly criminal past. As she finds the relevant newspaper, Hitchcock cuts to a shot from the ceiling of the dark deserted room, showing her surrounded by space seventy feet below. Unlike the usual Hitchcock high-angle, this shot expresses with a sort of warm detachment the romantic dimension of her personal anguish. The same attitude follows her and her uncle through the darkening stages of a deep love-attachment. Throughout they are true personalities...

Author: By Mike Prokosch, | Title: The Moviegoer Hitchcock's Career | 10/22/1969 | See Source »

Last week at the New York City Opera, it was Beverly Sills' turn. She had a bad cold. Charles Wilson's conducting only occasionally rose to something that resembled authority. Nothing seemed able to shock Tenor Michele Molese and Baritone Dominic Cossa into dramatic vitality. Nevertheless, under the direction of Tito Capobianca, the whole production drew a mounting, cohesive strength from Sills...

Author: /time Magazine | Title: Opera: A New Lucia | 10/17/1969 | See Source »

Nothing better illustrates the tenor of the trial than the following exchange, in which the prosecutor "proved" that anti-Semitism "cannot exist in our country...

Author: /time Magazine | Title: Soviet Union: Postscript to Babi Yar | 10/10/1969 | See Source »

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