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...generally takes about 275 Democrats to give the House a liberal coloration; Lyndon Johnson had 295 in the hyperproductive 89th that put most his Great Society programs on the books. Once the Democratic membership dips to around 240, the tenor of the House becomes decidedly conservative, because so many of the Democrats are either Southern conservatives or machine men from the Northern cities. To reduce Democratic totals to a figure considerably below 240, the Republicans are counting on big victories i the Middle Atlantic region, where the party may gain six House seats and in the 14 Rocky Mountain, Southwest...

Author: /time Magazine | Title: Nation: THE 91ST: A HOUSE THAT WILL BE LESS THAN HOMEY | 10/25/1968 | See Source »

...BLAKEY WITH THE ORIGINAL JAZZ MESSENGERS (Jazz Odyssey). Drummer Blakey was the spark that lit up several small groups in the '50s. Here, reissued, is a particularly successful set, with one of the finest Blakey combos-Horace Silver on piano, Hank Mobley on tenor sax, Donald Byrd on trumpet and Doug Watkins on bass. They play hard-bop tunes (two of which are by now familiar Silver compositions), while Blakey drives them on with a flavoring of calypso or a tight break to emphasize the beat. On InfraRae and Hank's Symphony, his throbbing rolls and cymbal cadences...

Author: /time Magazine | Title: Television: Oct. 11, 1968 | 10/11/1968 | See Source »

...Hermosa Beach, Calif., the Crusaders have plenty to say in this album and plenty of "chops" (technique) to say it with. Their musical message lies in today's mainstream -a blend of hard-rock rhythms, funky chords and uptempo bustling. Wayne Henderson is on trombone, Wilton Felder on tenor sax; the rhythm section includes Joe Sample's piano. They punch out Ooga-Boo-Ga-Loo, move briskly on the winning Native Dancer and the fleeting Impressions. Their Eleanor Rigby is unusually muscular but, oddly enough, moves along with grace...

Author: /time Magazine | Title: Television: Oct. 11, 1968 | 10/11/1968 | See Source »

EDDIE HARRIS, PLUG ME IN (Atlantic). An electric tenor saxophone? The idea may offend jazz purists, but rock fans will get a charge out of this easygoing soul session. With capable backing from such musicians as Jimmy Owens and Joe Newman, Harris uses his extra go-power to create warmth and depth. The set gets off to a rolling, sinew-stretching start on Live Right Now, a down-home boogaloo. Harris plays with heavy-throated gentleness on the bluesy Ballad (For My Love), and with a dulcet, flowing tone on Winter Meeting. There's just a bit of metallic...

Author: /time Magazine | Title: Television: Oct. 11, 1968 | 10/11/1968 | See Source »

ELVIN JONES, PUTT'N' IT TOGETHER (Blue Note). Drummer Jones, who played with the late John Cohrarie, became famous for his fiery musical duels with the master. With Jimmy Garrison on bass and Joe Farrell splitting three ways on tenor, soprano sax and flute, Jones here uses his flashy technique to inspire, shape and embroider a harmonically free, three-way dialogue. Reza and Jay-Ree brim with bright looping arches of sound reminiscent of Ornette Coleman. Soloing on Kei-Ko's Birthday March, Elvin gets under way with a humorous drum-corps pattern that soon turns into...

Author: /time Magazine | Title: Television: Oct. 11, 1968 | 10/11/1968 | See Source »

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