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Nancy Boyd, soprano, lacked purity Friday evening and was often blemished by curious shifts of timbre. Technically, however, she was in complete control and in her final number picked her way through a twisting coloratura passage and then leapt to a ringing high D. Tenor Roger Childs was called on only once--to sing "The Roasted Cygnet's Song," which lies in a stratospheric register--and Childs produced the notes as well as the proper quality of a wailing lament...

Author: By Lloyd E. Levy, | Title: Harvard Glee Club | 3/25/1968 | See Source »

...Crimson editorial, pontificating from Mount Olympus, on "the paucity of first rate black social scientists" exemplifies a neo-racist attitude whose effects are no less debilitating than the institutional racism Harvard's hiring policy functions to perpetuate. The paternalistic, misinformed, patronizing tenor of the article distorts and undermines the essential validity of the criticism. Lani Gulnier '71 Connie Hilliard...

Author: NO WRITER ATTRIBUTED | Title: NEO-RACIST ATTITUDE | 3/23/1968 | See Source »

...Birnam Wood Country Club in Santa Barbara, Calif., to raise hosannas to Soprano Lotte Lehmann on her 80th birthday. It was the sort of occasion that called forth a telegram of congratulations from West German Chancellor Kurt Georg Kiesinger and commanded the presence of such votaries as Tenor Lauritz Melchior, Actress Judith Anderson and Conductor Zubin Mehta. "I am excited and overwhelmed," said Lehmann, who retired 17 years ago but still teaches master classes in voice at the University of California at Santa Barbara. "It is not everyone who can say, 'I have lived exactly as I wanted...

Author: /time Magazine | Title: People: Mar. 8, 1968 | 3/8/1968 | See Source »

...sang Escamillo with an ample baritone, but sounded ready to launch into "The Girl That I Marry" at the smallest provocation. Carole Bogard's Micaela had lots of potential but her lively soprano couldn't compensate for the inherent dullness of the role. Glade Peterson's powerful and expressive tenor seemed perfect for Don Jose, but he muffed the Flower Song and never fully recovered...

Author: By Stephen Kaplan, | Title: Carmen | 3/7/1968 | See Source »

...Cliffie accused herself of selling out. "I felt that by conforming I was eradicating all that was me in my personality. By pretending to be cheerful when I wasn't or by adjusting the tenor of my conversation according to whom I was talking to, I thought I was being hypocritical. I fought all my compromises. I would stare at the person before whom I thought I was compromising myself until my eyes burned...

Author: By Anne DE Saint phalle, | Title: Harvard and Your Head | 3/4/1968 | See Source »

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