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...pernickety listeners, Renata Scotto still does her best to fulfill the image of the 15-year-old Japanese teenager, and has successfully made the role one of her specialties. Her rather metallic intonations are warmed by the richness of Rolando Panerai's baritone and Carlo Bergonzi's tenor, while Conductor Sir John Barbirolli exposes enough colors in the opera's palette to prove that it may not be so smart to sneer at Puccini's musicality...

Author: /time Magazine | Title: Television: Oct. 20, 1967 | 10/20/1967 | See Source »

...auditorium with steam. But mostly the singers forgot about the drama and one another, turned toward the audience, and simply belted out their best. Frequently it was more than good enough. Drenched by the robust melodiousness of Soprano Elena Suliotis and Basso Nicolai Ghiaurov in Nabucco, and of Tenor Carlo Bergonzi and Mezzo Soprano Fiorenza Cossotto in Trovatore, the Montreal audiences hardly seemed to notice anything missing elsewhere...

Author: /time Magazine | Title: Opera: The Power of Positive Vocalizing | 10/20/1967 | See Source »

...Dublin working class offer a musical effect somewhat like Saturday night in a pub just before the police arrive. Bass Ronnie Drew, 33, whose voice is like nothing so much as a bullfrog with a hangover, bestraddles the line with occasional forays a mile or so off pitch. Tenor Luke Kelly, 26, gives out what might be the mating call of a rusty file. Banjoist Barney McKenna, 27, Tin Whistler Ciaron Bourke, 32, and Fiddler John Sheahan, 28, round out the onslaught with glorious disregard for niceties such as time or tune...

Author: /time Magazine | Title: Folk Singers: Long Gone Macushla | 10/13/1967 | See Source »

...what bothers most citizens in opposition to the current war policy is not the entire tenor of U.S. political-military activities abroad. In the case of Vietnam, they are most bugged by a sense of pique that the war has gone on so long, without any beneficial result, without any current prospect of conclusion...

Author: By John A. Herfort, | Title: TOPICS: Anti-communism and Munich | 10/2/1967 | See Source »

...proof, Leinsdorf had to change his sweat-soaked jacket at intermission. "In it, like the genius he was, Beethoven was asking for things ahead of his time which probably could not be done." As Leinsdorf, the orchestra and the singers-particularly Soprano Hanne-Lore Kuhse and Tenor George Shirley-showed at Tanglewood, they can be done...

Author: /time Magazine | Title: Music: Faithful to Fidelio | 8/18/1967 | See Source »

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