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...trumpets, the Gabrielli was most satisfactory. While here and in the Sarti one might have hoped for a slightly less room-fulling sound from the organ, the ecclesiastical air of the music was quite effective. Soloists for the In Ecclesiis were Sally Thomas, Soprano; Pamela Gore, alto; Carl Schmidt, tenor; and James Jonse, baritone. The Sarti Fugue, a double fugue of a relatively primitive sort, demonstrated the ability of the singers to make a somewhat intricats, overworked piece into a worthwhile listening experience...

Author: By Daniel P. Gannon, | Title: Summer Chorus | 8/23/1966 | See Source »

...major piece on the program was Persephone, in which Ansermet, with a strong assist from Actress Yvette Mimieux, as the narrator, and Tenor Leopold Simoneau, displayed his clean and convincing way with Stravinsky...

Author: /time Magazine | Title: Conductors: Mellowing Rebel | 7/22/1966 | See Source »

...like role for the organ along with choral and solo sections; in the Psalm, he spins a gossamer a cappella prayer. By contrast, Finzi's quiet music comments on the lyrics, in this case Metaphysical Poet Thomas Traherne's musings on the innocence and beauty of children. Tenor Wilfred Brown's impeccable diction helps to make this a delightfully accessible, intimate performance. The English Chamber Orchestra and soloists, conducted by Imogen Hoist (the composer's daughter), handle their vastly differing assignments well...

Author: /time Magazine | Title: Television: Jul. 15, 1966 | 7/15/1966 | See Source »

...male cast, headed by Tenor Andrea Velis as the madwoman, masterfully performed Britten's difficult, often eerie sing-speech style of vocal writing. The score was as delicate and intricate as a spider web, interlaced with the chatter of small untuned drums and plunking strings reminiscent of Oriental music. The most impressive achievement was that, in mixing such disparate elements as modern dissonances, a morality play and No drama, there was no clash of styles but rather a smooth melding into what is a new and wholly engaging musical form...

Author: /time Magazine | Title: Festivals: Small Gem | 7/8/1966 | See Source »

...little more than memories in Italy. Along with the younger corps of fine singers, they have been lured away by bigger money and better working conditions in the U.S. and elsewhere. What is left is hardly satisfying to the discriminating Italians. "They want the real pasta asciutta," says Tenor Mario del Monaco, "not ersatz spaghetti...

Author: /time Magazine | Title: Opera: Wanted: Real Pasta | 6/17/1966 | See Source »

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