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...known as the Black Virgin. Daughter of an industrial chemist, Caballé was enrolled in Barcelona's Conservatorio del Liceo at nine, worked as a seamstress to pay for her tuition, graduated at 23 with every honor in sight. Wed last year in the Montserrat monastery to Spanish Tenor Bernabé Martí, whom she met while singing Madama Butterfly in Barcelona, she says, "I am probably the only Cio-Cio-San who ever married her Pinkerton...

Author: /time Magazine | Title: Opera: Big Find | 12/24/1965 | See Source »

Jazz THE NEW WAVE IN JAZZ (Impulse!). Five combos, led by avant-garde Jazzmen John Coltrane, Archie Shepp, Charles Tolliver, Grachan Moncur and Albert Ayler. "Trane" sets the stage by skywriting his personal hieroglyphics with his tenor sax. Even farther out is Saxophonist Ayler. His Holy Ghost consists of hysterical, sizzling squiggles of sound played fast and high, while a drummer beats insistently, as though knocking on a locked door. "It's about feelings," Ayler explains...

Author: /time Magazine | Title: Television: Dec. 17, 1965 | 12/17/1965 | See Source »

E.S.P. (Columbia). Miles Davis and his fine quintet in abstract musings of their own invention (Agitation by Davis, Iris by Tenor Saxman Wayne Shorter, Mood by Bassist Ronald Carter). Sometimes the drum, bass and piano drive the soloists, but mostly they provide only phantom rhythms under the fluid runs and fragmentary phrases of the trumpet and tenor sax. No one will be tempted to tap a foot or sing along, but few with any E.S.P. at all will stop listening...

Author: /time Magazine | Title: Television: Dec. 17, 1965 | 12/17/1965 | See Source »

...this performance conducted by Eugene Ormandy. The Philadelphia Orchestra, augmented by extra horns, winds and percussion, and the Temple University Choirs of 250 voices are welded into an instrument of blockbusting power and variety: four brass bands blaze the summons to the Last Judgment, and the woodwinds whisper as Tenor Cesare Valletti sings the poetic Sanctus...

Author: /time Magazine | Title: Television: Nov. 26, 1965 | 11/26/1965 | See Source »

Schoenberg wrote this gargantuan cantata before he made his break with tonality, but he deploys the oversized orchestra and chorus in daring polyphonic passages that alternate with romantic solos, sung beautifully in this recording by Soprano Inge Borkh and Tenor Herbert Schachtschnei-der. The Bavarian Radio Orchestra is con ducted by Rafael Kubelik...

Author: /time Magazine | Title: Television: Nov. 26, 1965 | 11/26/1965 | See Source »

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