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Word: tenore (lookup in dictionary) (lookup stats)
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...MESSENGERS: GOLDEN BOY (Colpix). Blakey doubled the length and breadth of five pieces from this musical (Lorna's Here, I Want to Be with You) and added Yes, I Can, which was cut out of the Broadway production, but makes a showpiece for Wayne Shorter's quicksilver tenor sax. The ten-member band, backed by Drummer Blakey, works such solid changes on the textures and rhythms of the score that it seems to come from Birdland rather than Broadway...

Author: /time Magazine | Title: Television: Feb. 19, 1965 | 2/19/1965 | See Source »

Place to Be Lousy. Marilyn began her voice lessons at five under the unstinting tutelage of her father, a "semiprofessional tenor" when he wasn't tending to his duties as town assessor of Bradford, Pa. When the family moved to Long Beach, Calif., Marilyn joined the Roger Wagner Chorale, later won a voice scholarship to the University of Southern California where she flunked, among other things, opera workshop for refusing to sing Carmen (she did not feel ready for the role). She spent her time instead singing avant-garde music at the Hollywood Bowl under the direction of Igor...

Author: /time Magazine | Title: Opera: Out of the Shade | 2/19/1965 | See Source »

SALT AND PEPPER (Impulse). On the theory that two tenor saxes are better than one, Sonny Stitt and Paul Gonsalves spur each other to new heights in Salt and Pepper, S'posin' and Perdido, though Stitt, a lively and eloquent musical descendant of Lester Young, outplays the darker, deeper-voiced Gonsalves...

Author: /time Magazine | Title: Television: Feb. 5, 1965 | 2/5/1965 | See Source »

BLACK PEARLS (Prestige). Tenor Saxophonist John Coltrane is the featured soloist, and he zooms boldly off to do some fine, abstract skywriting at Mach 1. Meanwhile, back at the piano, Red Garland waits to deliver earthbound but agreeable interludes of up-tempo swing...

Author: /time Magazine | Title: Television: Feb. 5, 1965 | 2/5/1965 | See Source »

BODY AND SOUL: A JAZZ AUTOBIOGRAPHY (RCA Victor). Coleman Hawkins, the granddaddy of the tenor sax, says he got his famous full tone from trying to play over seven other horns. He managed so well that he has outblown and outclassed most other saxophonists of the past three decades. These 16 selections (1927 to 1963) bring back not only the Hawk but McKinney's Cotton Pickers, the Mound City Blue Blowers, and the bands of Fletcher Henderson, Lionel Hampton and Red Allen as well...

Author: /time Magazine | Title: Television: Feb. 5, 1965 | 2/5/1965 | See Source »

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