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This album features Jussi Bjoerling's penultimate recorded performance. From it, we are all the more aware that this great Swedish tenor died when he still was near the top of his form. His battle of high notes with Turandot at the end of their last duet (itself the one truly exciting moment in Alfano's scoring) is a most extraordinary display of vocal power. His lyric rendition of much of the first act music makes his Calaf more sympathetic and more credible than any other I have heard...

Author: By Ian Strasfogel, | Title: "Turandot": Puccini's Best | 3/24/1961 | See Source »

Introduced by Harvard Captain Arthur J. Cumnock to increase team membership and to acquaint the players with the rudiments of the game, the first spring football program was by modern standards of a relaxed tenor, featuring a drop-kick "tournament" lasting from May 1 to May 28. The whole idea went over pretty well despite Crimson apathy, and one year later, in 1890, the spring football program was expanded to include not only a more intensified training for the players, but also a wrap-up game of two 20-minute halves...

Author: By James R. Ullyot, | Title: What About Spring Football Drills? | 3/17/1961 | See Source »

Occasionally she expresses her professional grievances with a gag. Once she overheard a tenor telling an admirer that his "lovely, pure, full and beautiful" voice moved Miss Price to tears. "I hate to bring this up," said Leontyne, "but it is my voice so warm, full and beautiful that moves me to tears." Of a well-known soprano who decided to get married and retire, Leontyne asked: "Retire from what?" She has a great, saving capacity for laughing at herself, too. Back home last Christmas, she made a joke of helping at table at the Chisholms when the maids were...

Author: /time Magazine | Title: Music: A Voice Like a Banner Flying: Leontyne Price | 3/10/1961 | See Source »

Impeccable of Tone. Newcomer Franco Corelli, as Calaf, the prince who stakes his life on winning the cold Turandot, is as handsome as any tenor who ever walked the Met stage, has a big, bronze voice that he can fling forth most of the time without strain; but often he lacks taste and sacrifices lyricism to masculinity, style to strut. Anna Moffo, as Liù, makes the part far more than the usual sweet rag doll: singing with impeccable beauty of tone but also with surprising force, she gives the character backbone, thus rendering plausible the scene in which...

Author: /time Magazine | Title: Music: Golden Age | 3/3/1961 | See Source »

...Demands. His heavy jaw jutting like one of Ionesco's man-turned-rhinoceros, and flanked by two beetling aides,* Zorin laid out the Soviet demands in his curious reedy tenor: 1) arrest Katanga's Moise Tshombe and Congolese Army Major General Joseph Mobutu, and put them on trial; 2) dissolve all Tshombe and Mobutu troop units and force all Belgians out of the Congo; 3) pull the U.N. force out of the Congo within a month...

Author: /time Magazine | Title: The United Nations: The Bear's Teeth | 2/24/1961 | See Source »

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