Word: tenore
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...Rome, pompous Italian Tenor Beniamino Gigli, 63, who left the Metropolitan Opera Company and the U.S. in high dudgeon in 1939 after making cooing sounds about progress under Mussolini's Fascists, announced his interest in the current political score. He will be a candidate for a seat in the new Chamber of Deputies on Alcide de Gasperi's Christian Democratic ticket in the June elections...
...climax of his winter conducting season, Arturo Toscanini picked Beethoven's soaring Missa Solemnis. Following his baton in Carnegie Hall last week were Basso Jerome Hines, Tenor Eugene Conley, and Mezzo-Soprano Nan Merriman as soloists, the members of the NBC Symphony and the Robert Shaw Chorale. Amidst this phalanx of well-known U.S. artists was one soloist few Americans had ever so much as heard of: a 28-year-old Toronto soprano named Lois Marshall. From now on, listeners are going to hear a lot more...
...Victor, 3 LPs). A fine performance and elegant recorded sound make this the first fully satisfactory LP of The Barber. De los Angeles' voice, while not so flexible as Pons's in her heyday, is brilliant and accurate in coloratura passages. Monti is a lyrical and affecting tenor, and Rossi-Lemeni's bass is almost too sumptuous for his tomfoolery as Basilio...
...waiting room in Rome are the names of some of the privileged ones who come by special appointment. For a bad left knee, Arturo Toscanini took ten treatments last summer from D'Angelo, self-styled Mago di Napoli (Wizard of Naples), and pronounced the man formidabile. Tenor Beniamino Gigli went in to be lifted from his nervous depression. Italy's Queen Maria José once sought D'Angelo's aid for her "weakened optic nerves...
What the Met audience heard was Stravinsky gone autumnal. The music began with a brass fanfare in antique vein, worked its often dissonant way through a series of style movements reminiscent of Handel, Mozart and, occasionally, subdued Verdi. It had uncharacteristic lyrical moments, e.g., Tenor Eugene Conley's lament in the brothel scene and Hilde Gueden's pretty love song in the garden, and jabs of vulgar humor in Blanche Thebom's bearded-lady scenes. But it never found anything to get excited about, and rarely attempted to follow an idea very...