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Married. Morton Downey, 48, wealthy radio & TV tenor; and Margaret Boyce ("Peggy") Schulze Hohenlohe, 29, daughter of $85 million (copper) Heiress Margaret Thompson Schulze Biddle; both for the second time; in Hot Springs...

Author: /time Magazine | Title: Milestones, Oct. 30, 1950 | 10/30/1950 | See Source »

...Burly Tenor Ramon (Otello) Vinay was in a sweat. A Chilean trained for Italian and French opera, he had worked hard for over a year to huff himself into a German-style Heldentenor, and he was all set to sing his first Tristan, with Kirsten Flagstad as Isolde. San Franciscans (and Metropolitan Opera General Manager Rudolf Bing, who sorely needs a successor to Lauritz Melchior) were all set to hear him. But a fortnight ago, with debut day almost at hand, Tenor Vinay was bogged down in Chile. A stubborn Santiago impresario refused to let him leave the country until...

Author: /time Magazine | Title: Music: New Heldentenor | 10/16/1950 | See Source »

...night, the audience in San Francisco's opera house found huge (6 ft. 2 in., 220 Ibs.) and handsome Tenor Vinay visually, if not vocally, a heroic match for Soprano Kirsten Flagstad. Wrote San Francisco Chronicle Critic Alfred Frankenstein: "To be sure, [Vinay] did not bring the music all the suppleness and vocal ease one hoped for, but he brought it something else that was almost equally important-a tenderness, lyricism and fragility of expression that were altogether unprecedented. For once, Tristan's ravings in the third act seemed only five times too long instead...

Author: /time Magazine | Title: Music: New Heldentenor | 10/16/1950 | See Source »

...long skirts." She had a voice to match her acting: she could, and did, sing coloratura, lyric and dramatic soprano parts with equal ease. In Buenos Aires one time, when Giovanni Martinelli momentarily lost his voice in the third act of Catalani's Loreley,* she carried off his tenor part as well...

Author: /time Magazine | Title: Music: New Records, Oct. 16, 1950 | 10/16/1950 | See Source »

Puccini: Tosco (Love Duet, Act I) (Ljuba Welitch, soprano; Richard Tucker, tenor; the Metropolitan Opera Orchestra, Max Rudolf conducting; Columbia, 1 side LP). Some of Puccini's most heart-pulling music, beautifully sung. Although her voice is thinner, the Met's flaming new Tosca, in Vissi d'Arte, which completes the side, stands up mighty well with her Golden-Age counterpart, Claudia Muzio...

Author: /time Magazine | Title: Music: New Records, Oct. 16, 1950 | 10/16/1950 | See Source »

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