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...incompatible philosopher-historians, Oswald Spengler and Arnold Toynbee. For intuitive insight into the mood of our time he has consulted the novelists: Proust, Mann, Joyce, Kafka, Sartro, and Camus. This seems to be the century of feeling rather than reason, and the writers were better able to feel the tenor of their time than the professional philosophers have been able to intellectualize it. The novelists were intensely subjective, relativistic, and often, like Kafka, gave a sense of the little man being enmeshed in incomprehensible forces. Also, they agreed with Spengler and Toynbee that our's is a decaying civilization. Added...

Author: By Daniel B. Jacobs, | Title: A Calm Look at the Present | 3/7/1950 | See Source »

...Irvington, N.Y. know John the gardener, a chunky, happy-looking, apple-cheeked man of 42. Some who don't know John by sight know him by sound. Many a time during the six months he has lived and worked there, strollers have been startled to hear his rich tenor voice ring out from behind a hedge, have slowed their pace to hear an operatic aria rising above the snip-snip of his clippers. But few of the townspeople of Irvington (pop. 3,272) know that only eight years ago "John" was the first tenor of Moscow's Bolshoi...

Author: /time Magazine | Title: MUSIC: One Wrong Note | 3/6/1950 | See Source »

...Black. In those days John was Ivan Jadan, and Russian critics compared him enthusiastically to Leonid Sobinov, who 40 years ago sang tenor to Chaliapin's bass. His more ardent admirers called him "the Russian Caruso." Ivan lived in Moscow's most modern apartment house with his wife Olga and his son Alexander, enjoyed the special privilege of shopping in the luxury stores reserved for the new Soviet aristocracy. There was only one wrong note: Jadan was not a party member...

Author: /time Magazine | Title: MUSIC: One Wrong Note | 3/6/1950 | See Source »

Last week, in white tie & tails bought with a loan arranged, by Impresario Kachouk, Tenor Jadan stood confidently before the piano on the stage of Manhattan's Town Hall to sing his first recital in eight years. His tenor was a little rusty, and he had not yet worked back to his former full-voiced power. But he sang the songs of Mozart, Beethoven, Wolf, Verdi with lyrical warmth and expressiveness that reminded some of Caruso indeed. He also sang the songs of Tchaikovsky, Glinka and other Russians and he reduced a house filled largely with Russian expatriates...

Author: /time Magazine | Title: MUSIC: One Wrong Note | 3/6/1950 | See Source »

Bach: St. Matthew Passion (Elfriede Troetschel, soprano; Diana Eutrati, contralto; Friedrich Haertel, bass; D. Fi-scher-Dieskau, baritone; Helmut Kreps, tenor; Boys' Choir of St. Hedwig's Cathedral, the augmented choir and orchestra of the Berlin Radio, Fritz Lehmann conducting; Vox, 8 sides LP). One of the first postwar German recordings. Bach's great score is unabridged, the orchestra and chorus are fine, the soloists are good. Recording: excellent...

Author: /time Magazine | Title: Music: New Records, Feb. 20, 1950 | 2/20/1950 | See Source »

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