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Word: tenore (lookup in dictionary) (lookup stats)
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...trappings and scampering office boys. Through the lives of these three and the circle around them runs a pattern of restlessness and failure to find self, high searching morality and low lust. Miller has written a novel that is good because it isolates and preserves for time ahead the tenor and taste of a certain significant period's play on some significant people. It verges toward the second-rate when it tackles large issues and attempts a sweep of which it is apparently incapable...

Author: NO WRITER ATTRIBUTED | Title: Three Soldiers, Back From the War . . . | 3/22/1948 | See Source »

...Boston Symphony Orchestra plays more than its share of unfamiliar compositions, but it seldom rallies all its forces as impressively as it did yesterday for Stravinsky's "Oedipus Rex," a work scored for mezzo-soprano, tenor, baritone and speaker as well as chorus and a full Stravinsky-sized orchestra. The effort was definitely worthwhile. There may be arguments about the style and form of the "Oedipus Rex," but there surely can be none about its interest to listeners on almost any level of musical training...

Author: NO WRITER ATTRIBUTED | Title: Boston Symphony and the Glee Club | 3/13/1948 | See Source »

Sergo Koussevitsky did a masterful job with his orchestra and chorus yesterday, and the soloists, Carol Brice, David Lloyd (tenor), James Pease (baritone), and Wesley Addy (speaker) were better than good. The Harvard Glee Club was at its best in voice and control for the occasion. Before the main event Dr. Koussevitzky and orchestra gave their customarily rigid performance of Beethoven's Fourth Symphony, the first and last movements of which remain to this critic deserts of brisk but avid content...

Author: NO WRITER ATTRIBUTED | Title: Boston Symphony and the Glee Club | 3/13/1948 | See Source »

Last week, Manhattan got its first chance to hear dashing, 26-year-old Di Stefano. New York's Italian opera fans, a demonstrative lot, were out in strength. As the Duke in Verdi's Rigoletto, Giuseppe's soaring tenor was always good, if not always golden; and he had a dramatic way of hanging on to his ringing top notes until the claque started. The claque's din was soon equaled by the audience's "bravos...

Author: /time Magazine | Title: Music: Giuseppe Arrives | 3/8/1948 | See Source »

Next day Manhattan critics joined in the bravos, but more temperately: Giuseppe, they said, has the makeup of a great tenor-if he works at it. They hadn't clacked so over a new tenor since Ferruccio Tagliavini first sang at the Metropolitan last year...

Author: /time Magazine | Title: Music: Giuseppe Arrives | 3/8/1948 | See Source »

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