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Word: tenore (lookup in dictionary) (lookup stats)
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Presiding over his radio program of incredibilities, Robert Leroy Ripley beckoned to the microphone a tubby lyric tenor who had played obscure cinema parts. Listeners heard a thin voice with forced higher registers pour out "O Pari-diso" from L'Africaine, one of the favorite arias of the late great Enrico Caruso. Announced Mr. Ripley: "You have just heard the voice of Enrico Caruso Jr.- believe...

Author: /time Magazine | Title: People, Nov. 22, 1937 | 11/22/1937 | See Source »

...music and dancing, and in this case is not hard to accept when accompanied by the show's well-drilled ballet and the voices of Margaret Bannermann and Michael Bartlett. Miss Bannermann has an ideal voice for interpreting the lyric Straus melodies, and Michael Bartlett boasts a pleasing velvet tenor as well as a profile of the best vaudeville tradition. Their most beautiful number probably is the duet, "To Live Is to Love," written by Johann Straus...

Author: By J. L. T., | Title: The Playgoer | 11/16/1937 | See Source »

...flip on the stage that audiences might not guess that she once nearly got herself to a nunnery; roly-poly Basso Alfred Hollander, once of the able German Theatre in Brunn, Czechoslovakia; Baritone Leo Weith, who sang the title role in the world premiere of Schwanda der Dudelsackpfeifer; Tenor Franco Perulli, onetime protege of Tenor Tito Schipa...

Author: /time Magazine | Title: Music: Salzburg Guild | 11/15/1937 | See Source »

Bartlett and Robertson, piano duo, Friday, November 5th; Joseph Szigeti, violinist, Wednesday, January 19th; Richard Crooks, tenor, Friday, February...

Author: NO WRITER ATTRIBUTED | Title: Phillips Andover | 11/2/1937 | See Source »

Music for Madame (RKO Radio). Nino Martini's tenor insufficiently disguises a weak-backed melofarce...

Author: /time Magazine | Title: Cinema: Also Showing | 10/11/1937 | See Source »

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