Word: tenore
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...buried in Hartsdale Cemetery beneath a tombstone marked "Our Minikin." Stately and white- haired, Maman Savage wears sombre silks, heavy ornaments, a gold-rimmed pince-nez. But she is as keen-eyed and lively as any youngster, joining gaily in such Metropolitan pranks as tickling fat Tenor Lauritz Melchior in Parsifal. "He is so ticklish! So he always says, 'Please, ladies. Do not! I am so ticklish!' It's great fun at the rehearsals...
...named Red Dust which comes in draped around a lady's neck like a fur piece and is, thereafter, in a state of almost continual collapse. Abraham Lincoln is master of ceremonies in a scene on the banks of the Potomac in 1865 which features a uniformed tenor singing "There's Moonlight in a Kiss" to a girl in crinoline. When President McKinley manifests an interest in Hawaiian music, one Bert Lynn favors with some plaintive strumming on his patented device known as the Vibrolynn...
...piano, pattered a bit. He had gathered first-rate U. S. players and, unlike many a conductor, he freely admits his debt to them. Trombonist Glen Miller is one of the best "hot men" in the U. S. And so is Bud Freeman, Noble's tenor saxophone. Only two of the musicians came from London with Noble: Bill Harty, his manager and drummer, and Crooner Al Bowlly, a swarthy South African who began his career in a Johannesburg...
When a Sicilian wants to duel, he neither presents his card nor flips his glove in his enemy's face. Instead, he bites his opponent's ear. Enacting the role of Turiddu in Cavalleria Rusticana at Manhattan's Hippodrome last week, Tenor Sidney Raynor's bite went wild. He missed Baritone Rocco Pandiscio's ear, took a painful nip out of the Pandiscio cheek. Peace was made over the bandaging backstage. Later in the evening Baritone Pandiscio went onstage with his round jowl swathed. He played his next role heartily, the doleful clown in Pagliacci...
...study in Italy. There, as in the U. S., his plain Anglo-Saxon name was a handicap. He changed it to Eduardo di Giovanni, made his mark at La Scala before he was invited home. For more than a decade he has been the No. 1 North American-born tenor. Others may sing louder. But Johnson never errs as an artist, never fails to be an attractive, credible hero. As Roméo and Pelléas he has surpassed all his contemporaries...