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Married-Gwendolyn, only daughter of famed Tenor John McCormack; and Edward Pyke, Liverpool businessman; in London. Hordes of Londoners pressed into Brompton Oratory to hear Tenor McCormack sing the Ave Maria ("the song of my life...

Author: /time Magazine | Title: Milestones, Sep. 25, 1933 | 9/25/1933 | See Source »

...Opera A'ida, but the first opera produced by the Tulsa Civic Opera was La Boheme, directed by an Indian woman. This woman, a Chickasaw, Daisy Maud Underwood, is a real Indian princess, her name being Princess Pakanli. She, with the aid of Hugh Sandidge, ,veteran operatic tenor of Memphis, Tenn., worked for two years under the most adverse conditions to get opera started in Oklahoma. She is a graduate of the New England Conservatory with a great voice and wonderful ability as a musician. I think that this makes the production of opera Oklahoma more remarkable, its being...

Author: /time Magazine | Title: Letters, Sep. 4, 1933 | 9/4/1933 | See Source »

...substitute for Tenor John McCormack, who refused an offer of $5,000 to come and sing (his daughter is being married shortly in Ireland), the Tribune found a fat barroom baritone named Tom Garvey, who was carefully planted in the audience. At the director's request for "any singing Irishman to take McCormack's place." he rose and throbbed out "When Irish Eyes Are Smiling" and "Mother Macree" with sentimental gusto...

Author: /time Magazine | Title: Music: Chicagoland & Texas | 9/4/1933 | See Source »

...Hippodrome's gulf-like stage to answer wildly enthusiastic curtain calls. Her arms filled with bouquets, more piled on the floor around her, she knelt in acknowledgment. Tears welled to her eyes, her voice choked as she thanked two leading stage characters of her race for their tributes, Tenor Paul Robeson and Dancer Bill ("Bojangles") Robinson...

Author: /time Magazine | Title: Music: Ai'da Without Makeup | 7/31/1933 | See Source »

...piece Symphony Orchestra, which annually gives a series of summer concerts in a football stadium donated by Oilman William Grove Skelly, determined to present Aïda. Carlo Edwards of the Metropolitan Opera, vacationing with his wife's relatives at Sand Springs, was asked to direct. Tenor Forrest Lamont of the defunct Chicago Opera (TIME, July 4, 1932) was called to sing Radames. He was the only non-Oklahoman in the cast which included a girls' chorus supplied by a high school. At the first of two performances, 6,000 Oklahomans paid $1.50 each...

Author: /time Magazine | Title: Music: Opera Over Oil | 7/31/1933 | See Source »

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