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...daughter of two music teachers, Fleming majored in music education at the State University of New York at Potsdam and sang at a local nightclub on weekends. When the legendary tenor-saxophonist Illinois Jacquet heard her do You've Changed, he offered to take her on the road with his big band. Instead, she did graduate work at the Eastman School of Music and at the Juilliard School, where she met and married actor Rick Ross, caught the ear of classical-music-business professionals and began her speedy climb to stardom. James Levine, who two years ago led the season...

Author: /time Magazine | Title: MUSIC: RENEE FLEMING: THOROUGHLY MODERN DIVA | 11/17/1997 | See Source »

...surely, if drastic changes are needed to redraw district lines to more accurately reflect the population, they should be made. When historians look back at the census of the millennium, we don't want them to take the political tenor of the country into their consideration of numbers...

Author: By Tanya Dutta, | Title: Count the People, Leave the Politics Aside | 11/4/1997 | See Source »

...Milton himself. Especially notable were sopranos Sharon Baker and Lisa Saffer, whose powerful voices captured both the light, lilting passages of L'Allegro and the "grave music," as Handel termed it, of Il Penseroso. Christine Brandes, also soprano, however, sounded a bit too bright and overharsh at times. Tenor Alan Bennett and bass David Thomas also demonstrated impressive talent and musical sensitivity...

Author: By Anriane N. Giebel, CONTRIBUTING WRITER | Title: A Sweet Treat for the Eyes and Ears, Blissful Baroque Comes to Boston | 10/31/1997 | See Source »

Both the soprano and bass parts contain a great deal of extremely demanding coloratura, vocal play and lengthy runs, reminiscent of the earliest tenor and bass airs in Part I of Handel's Messiah. These passages, like nearly all of the piece, were executed masterfully. Saffer in particular seemed the very bird described by her lines, "Sweet bird,.../ Most musical, most melancholy,/ Thee, chantress of the woods among,/ I woo to hear thy even song." Saffer's song floated through incredible trills and arpeggios which spanned several octaves without the slightest hint of effort. The choir, though little utilized...

Author: By Anriane N. Giebel, CONTRIBUTING WRITER | Title: A Sweet Treat for the Eyes and Ears, Blissful Baroque Comes to Boston | 10/31/1997 | See Source »

Involved in several aspects of performance, Brustein acts, directs and plays the clarinet and tenor saxophone...

Author: By Jenny E. Heller, CONTRIBUTING WRITER | Title: Theater Fixture Brustein Brings Repertoire to Harvard | 10/30/1997 | See Source »

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