Word: tenoring
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Crawford, who had trained as a boy soprano under Composer Benjamin Britten, responded immediately to the Phantom's soaring tenor line. "I had only to hear the first eight or so bars to know that Phantom was something quite special," he says. "The score sent chills down my spine the first time I heard it, and still does. Andrew's got me singing from the bottom of my heart to the top hair on my head...
...party, a tenor sings an old air, The Lass of Aughrim. This puts Gretta Conroy (Anjelica Huston) in a pensive mood: a delicate young man she once loved, and who hastened his death by courting her, used to sing it. In their hotel room, Gretta tells her husband Gabriel (Donal McCann) about this lost love, arousing an unworthy jealousy. She falls asleep, and he stares out the window, as the snow -- symbol of the universe's indifference to petty social preoccupations and petty emotions too -- falls "upon all the living and the dead." Nature, playing no favorites, blankets them...
Downey, 55, seems oddly cast as the pit bull of TV talk-show hosts. The son of an Irish tenor popular with radio audiences during the 1930s and '40s, he worked for a time as a singer and songwriter. His eclectic, not to say bizarre, career has also included stints as co-owner of the New Orleans Buccaneers franchise in the American Basketball Association, an activist for victims of the Biafran war in Nigeria and, briefly, presidential candidate of the American Independent Party in 1980 (he turned down the nod, he says, because the party was too right wing even...
...from Tehran just as Ronald Reagan was taking office. The '80s, as befits their high-flying adrenaline, may have dissipated a few years early, sputtering to an end during the stock market's terrifying final hour of free fall on Monday. Although Wall Street may eventually stabilize, the tenor of the times will never be the same...
...lend approval, it would be chiefly for Patti LuPone. As Nightclub Belter Reno Sweeney, she rivals the role's originator, Ethel Merman, in volume and clarity of voice, and far outdoes her in intelligence and heart. CoStar Howard McGillin has shirt-ad looks, puppyish charm and a lilting tenor. Other delights: Tony Walton's Art Deco ocean-liner set, Paul Gallo's seascape lighting and Michael Smuin's crisp choreography. The supporting cast is mostly ordinary, and Kathleen Mahony-Bennett's oomphless ingenue is not even that. The book, by P.G. Wodehouse and Guy Bolton but revamped before...