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Word: tenoring (lookup in dictionary) (lookup stats)
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This year's performance runs through December 14 at Boston's Shubert Theatre, and will feature Dominique Labelle, David Walker, Ray Bauwens and Eric Owens, though the December 6 performance was held in Symphony Hall and featured counter-tenor Steven Rickards insteaof David Walker. Associate Conductor John Finney leads H&H's marvelous chorus and period orchestra. Despite the press of weekend afternoons during the holiday season, Sunday's matinee performance was packed, with not an empty seat visible. The audience was richly rewarded for their time and responded with a thunderous, almost raucous standing ovation after the final "Amen...

Author: By Adriane N. Giebel, CONTRIBUTING WRITER | Title: H&H Scores Resounding Triumph in 'Messiah' | 12/12/1997 | See Source »

...without exception strong, lovely vocalists, neither too delicate nor too overwhelming for the choral and orchestral accompaniment. Bauwens is particularly notable for his elegant, tasteful use of flourishes. His "Ev'ry valley shall be exalted" aria was very beautiful, lilting, and full of little trills and decorations. The tenor part, though too often sadly neglected in the "Christmas section" of Part I, has some of the loveliest music in Messiah, and Bauwens proves himself wholly equal to it. His Part II recitatives, "All they that see Him laugh Him to scorn" and "Thy rebuke hath broken His heart," separated...

Author: By Adriane N. Giebel, CONTRIBUTING WRITER | Title: H&H Scores Resounding Triumph in 'Messiah' | 12/12/1997 | See Source »

...increase proficiency in a foreign language. The argument is that a score of 600 on the SAT-II is insufficient for establishing true facility in a language and that getting a D-, the current passing grade, does not guarantee much more. At the same time, the general tenor of the discussion indicates that the Faculty feels that, between the Core, Expos and demonstrated language proficiency, there are too many requirements for undergraduates...

Author: NO WRITER ATTRIBUTED | Title: Accept Languages For Core Credit | 12/1/1997 | See Source »

...Hate You Then I Love You, Dion makes the mistake of having opera star Luciano Pavarotti join her in a duet. Now, inviting Pavarotti to sing a fluff-headed pop song is like asking Picasso to paint your house--it's just not practical. Pavarotti's big, clear tenor easily trumps Dion's showy yelp, and he doesn't stop there--he goes on to overwhelm the song's flitty lyrics and thrash its slight melody. Final score: Pavarotti: 3, Song: 0, Dion: 0. And while we're at it, give Dion a zero for this album...

Author: /time Magazine | Title: MUSIC: GOING FOR THE RAFTERS | 11/24/1997 | See Source »

...character of the Sorceress, who takes on the role which the gods held in the classical story of Virgil's Aeneid. This part, an alto role traditionally assigned to female singers, is performed by a male student, Christopher Thorpe '98, who someone must have decided was a counter-tenor of some sort. However, all of his lines sounded as if they were sung in a bad falsetto. The odd effect was emphasized by a very strange makeup job which made Thorpe's Sorcerer seem not like something supernatural or frightening but merely a werewolfish extra from a very bad horror...

Author: By Adriane N. Giebel, CONTRIBUTING WRITER | Title: Disappointing 'Dido' Dies Early at PfoHo | 11/21/1997 | See Source »

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