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Word: tenoritis (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Geoffrey Shovelton, a relative newcomer to the Company, and John Ayldon, who joined more than a decade ago, could hardly be better as the two earls engaged to the same girl. Shovelton has a lovely unforced tenor voice, and Ayldon's baritone beautifully belts out "When Britain Really Ruled," a parody of patriotic songs like "Rule Britannia." In their spoken Act II discussion they capture to perfection Gilbert's portrait of Victorian dim-witted stuffiness. They are fine, too, in the sure-fire trio "He Who Shies," as they try to catch the lithe-limbed Lord Chancellor indulging in undignified...

Author: By Caldwell Titcomb, | Title: Peers Without Peers and Dracula | 8/11/1978 | See Source »

There was jazz in Carnegie Hall: Sonny Rollins, one of the alltime great tenor saxophonists, was sparking fire off the bluesy beat of his quintet. Bending low over his sax, Rollins, 48, would pause for a fraction of a second and then come up swinging: weaving countermelodies inside and outside the harmonies, loosing flying clusters of arpeggios that left his sax all but smoking, ending with a comic bebop flourish, head thrown back and sax brandished triumphantly...

Author: /time Magazine | Title: Music: A Silver Newport | 7/10/1978 | See Source »

Coleman's group, in contrast, produced a dense texture of counterrhythms and melodies, above which Coleman soared in his solos on tenor saxophone, trumpet and violin...

Author: /time Magazine | Title: Music: A Silver Newport | 7/10/1978 | See Source »

...most impressive, however, is John Guerrasio as Timmy, the boy who comes home from the wars. Guerassio brings an energetic, pleasing style and a hoarse tenor voice to the part, which seems to have been written for him. He is at his best imitating a vaudeville hack or meandering through a wicked drunk as the family collapses around him. His timing and movement are impeccable; more will certainly be heard from this...

Author: By Andrew Multer, | Title: The Subject Was Trite | 6/30/1978 | See Source »

Mozart: Mitridate, Re di Ponto (Sopranos Arleen Augér, Ileana Cotrubas and Edith Gruberova, Mezzo Agnes Baltsa, Tenor Werner Hollweg, Mozarteum Orchestra, Salzburg, Leopold Hager, conductor; Deutsche Grammophon; 4 LPs); La Clemenza di Tito (Mezzos Janet Baker and Yvonne Minton, Tenor Stuart Burrows, Chorus and Orchestra of the Royal Opera House, Covent Garden, Colin Davis, conductor; Philips; 3 LPs). Mozart composed Mitridate when he was only 14; La Clemenza came just before he died at 35. Both works are all but forgotten. They are opera seria, the early style of Italian opera that can present obstacles for the modern...

Author: /time Magazine | Title: Music: Classic and Choice | 6/26/1978 | See Source »

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