Word: tenoritis
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Dates: during 1970-1979
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...appalled at the general tenor of Mr. Peter Melnick's article on minority recruitment which appeared in the January 23, 1978 Crimson and amazed at the number of erroneous attributions and misrepresentations contained therein. Since the recruitment of talented minority students is one of the vital concerns of the Admissions Committee and Mr. Melnick's article contained so many misimpressions and fabrications, I am compelled to set the record straight on two of the more egregious inaccuracies...
DIED. Rahsaan Roland Kirk, 41, blind jazz musician famed for his ability to play three instruments simultaneously; of as yet undetermined causes; in Bloomington, Ind. Kirk played the manzello (a quasi-saxophone), the stritch (a horn resembling a dented blunderbuss) and the tenor sax together, combining themes of Brazilian Composer Villa-Lobos, Atonalist Arnold Schonberg and Bassist Charlie Mingus...
Mussorgsky: Boris Godunov (Bass Martti Talvela, Tenor Nicolai Gedda, Polish Radio National Symphony Orchestra, Jerzy Semkow conductor, Angel; 4 LPs). At long last, here is the Boris Godunov that Mussorgsky actually wrote. For too many years the work was heard in the brilliant, often gaudy revision of Rimsky-Korsakov, who in the guise of correcting a friend's mistakes dispelled much of Mussorgsky's haunting, earthy musical originality. This new recording measures up to both the music and the debt owed Mussorgsky. Martti Talvela is rich of voice (less a black bass than a walnut) and unforgettable...
Verdi: II Trovatore (Soprano Joan Sutherland, Mezzo Marilyn Home, Tenor Luciano Pavarotti, Baritone Ingvar Wixell, National Philharmonic Orchestra, London Opera Chorus, Richard Bonynge conductor, London; 3 LPs). Having come only recently to the roles of Leonora and Manrico, Sutherland and Pavarotti will undoubtedly have additional things to say about them in the future. For now, it can be said that this is a bella voce album of the first order. Devotees of the Leontyne Price-Placido Domingo set, or Price-Richard Tucker, or especially the old Zinka Milanov-Jussi Björling classic-all much more dramatically vivid-may safely...
Berlioz: L'Enfance du Christ (Mezzo Janet Baker, Tenor Eric Tappy, Baritone Thomas Allen, London Symphony Orchestra, Colin Davis conductor, Philips; 2 LPs). Just as he could roar thunderously in the Te Deum, so Berlioz could write with reverent calm in this exquisite tapestry on the early events in Jesus' life. The music is kept deliberately simple by a chamberistic use of the orchestra and frequent resort to medieval modes and other archaic devices. Yet how fresh, urgent and devoted the result, notably in the central section-The Flight into Egypt. Continuing his pioneering Berlioz cycle, Colin Davis...