Search Details

Word: tenoritis (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...powerful that it overwhelms any deficiencies in her acting. By contrast, Linda Anne Kirwan is a gifted comedienne, handling the part of Pheobe with real comic flair and singing well, if less vigorously than her rival. Roberto Gaston makes an extraordinarily winning Fairfax, with his broad toothy grin, strong tenor and charming Gilbertian sense of the absurd...

Author: By Julia M. Klein, | Title: Jests, Jibes and Cranks | 4/29/1976 | See Source »

Birdsall's strong soprano voice, however, partially compensates for the weakness of her acting. Musically, in fact, the entire cast of The Beggar's Opera is unimpeachable. While Ben Cox's Macheath displays more world-weariness and self-parody than vigor, he sings in a melodious high tenor that does ample justice to Gay's ballads. Toulouse too has an outstanding, well-controlled soprano--although her duets with Polly would be more effective were she a contralto...

Author: By Julia M. Klein, | Title: One More Night at the Opera | 4/15/1976 | See Source »

...resort. The U.S. made no commitments, in part because relations between Washington and Jerusalem are once again slightly strained. Although Ambassador to the United Nations William Scranton vetoed a Security Council resolution condemning Israeli repression on the West Bank (TIME, April 5), Israel was still furious over the cool tenor of Scranton's maiden speech, in which he described the occupation of East Jerusalem as "interim and provisional...

Author: /time Magazine | Title: MIDDLE EAST: Violent Week: The Politics of Death | 4/12/1976 | See Source »

...judgment and courageous imagination. This Caldwell has provided, with astonishingly flexible sets (by Helen Pond and Herbert Senn) and bold lighting effects (by Gilbert Hemsley) that the Aztec sun gods might have admired. On the musical side, Boston's impresario/director/ conductor has assembled the shiniest of casts, notably Tenor Richard Lewis as Montezuma and Soprano Phyllis Bryn-Julson as Malinche, the princess turned slave...

Author: /time Magazine | Title: Music: Three for the Opera | 4/12/1976 | See Source »

Several months into his term of office, Brown was asking questions, as he had throughout the campaign. Only now the questions had a different tenor. "Hot lunches for school children?" he asked. "No one ever gave me a hot lunch." And: "Why is it better to have a smaller number of students in each class...

Author: By Peter Kaplan, | Title: Lowered Expectations in the Pastures of Plenty | 4/8/1976 | See Source »

Previous | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | Next