Word: tenoritis
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Dates: during 1970-1979
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Haydn: The Seasons (Soprano Ileana Cotrubas, Tenor Werner Krenn, Bass Hans Sotin, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Dorati conductor, London; 3 LPs). This is Haydn's other major oratorio, structurally less cohesive and dramatically less powerful than The Creation, but a work in which the aging composer set out to demonstrate all that he could do in a wide range of styles and forms. In other words, a compendium of glories. The text, from James Thomson's panoramic poem written in 1730, inspires passages of musical landscape painting, evocations of the hunt, human scenes of yeomen...
Shostakovich: Lady Macbeth of Mtsensk (Soprano Galina Vishnevskaya, Tenor Nicolai Gedda, Bass Dimiter Petkov, Ambrosian Opera Chorus, London Philharmonic Orchestra, Mstislav Rostropovich conductor, Angel; 3 LPs). Soviet critics thought they heard a masterpiece when this, Shostakovich's second opera, was premiered in 1934. Then Stalin walked out of a performance and they listened again. This time they heard "din, gnash and screech" (Pravda). The work was withdrawn, and Shostakovich pursued more orthodox ways. A sanitized version, unveiled in 1963, found its way to the West on records, but this is the first recording of the original score. Harsh, erotic...
...York Drama Critics Circle Award, features a freak who is mon strous, if also in eloquent human pain. Whose Life Is It Anyway? mounts a torch of a brain on the calcified column of a car-wrecked body. In these and other plays of the same tenor, there is much brightly sar donic humor. But what sort of society is it that derives comfort from putting rouge on a corpse...
...world can provide. Because he has peered at nature's building blocks more closely than anyone but fellow biologists, and because he can translate his visions more gracefully than anyone but fellow writers, Thomas' good news about the human race is practically unique. Given the pessimistic tenor of our age the good doctor and his message could not have come along at a better time...
Visions--Wayne Kirton, plano; Jerome Crichton, percussion; Jackie Bear, tenor saxophone; and Paul Crichton, bass: Dunsters...