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Word: tenoritis (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Conductor Erich Leinsdorf, returning to the Met after a ten-year absence, leads a performance that surges excitingly, especially when Soprano Nilsson pours forth oceans of brilliant sound. Tenor Thomas does not give the world the Tristan that it has lacked since Lauritz Melchior retired in 1950. He looks romantic, but is overwhelmed by Wagner's demands. Still, thanks to Leinsdorf and the unique Nilsson, there are moments when one can forget that this new Tristan looks like an astronomy lecture with visual aids from Hallmark...

Author: /time Magazine | Title: Music: Spaced-Out Tristan | 11/29/1971 | See Source »

...clock Rudel was at the podium raising his baton-or, rather, a thin white knitting needle-to start the Carmen overture. His instructions to the orchestra were brief and to the point: "Trumpets, didn't you notice I slowed down?" Politely but firmly he told an overeager tenor: "Please don't cut off the baritone in mid-phrase." He remained unperturbed when a voice from backstage implored: "Wait, Julius, wait. Don José's costume has just fallen apart." The singer finally appeared onstage clutching uncertainly at his trousers. "Jesus Christ, Julius," he wailed...

Author: /time Magazine | Title: Music: Julius the Cool | 11/1/1971 | See Source »

...personified by a slender tenor named Jeff Fenholt, 21, the Christ of Superstar bears a startling resemblance to those portraits of the pale Galilean that used to be hung in children's bedrooms all over the country?a vision that has helped turn so many of the hip young off contemporary religion. Hawaii-born Yvonne Elliman, 19, has just the right combination of sweet, gentle good looks and crooning pop ballad style to suggest that Magdalene is really two Marys rolled into one. As Judas, Ben Vereen, 24, has one of the more physically demanding roles in the history...

Author: /time Magazine | Title: Show Business: The Gold Rush to Golgotha | 10/25/1971 | See Source »

...months. But it is decidedly something new for Motown. It was romantic love that turned the Detroit-based soul factory into a multimillion-dollar corporation, and made many of its stars rich. Gaye, for example, started out in 1961 as a Johnny Mathis-type balladeer with a silvery tenor voice and by 1967 had become Motown's No. 1 purveyor of black soul. Neither that success nor his kinship with God has given Gaye a notably pious manner. A gangly, soft-spoken man of 32 with neatly trimmed beard and mustache, he has the easy, confident manner...

Author: /time Magazine | Title: Music: Motown Beatitudes | 10/11/1971 | See Source »

...pace and tenor of the Medina court-martial at Fort McPherson, Ga., was in sharp contrast to Calley's trial. In the latter case, the coldly efficient Army prosecutor, Captain Aubrey M. Daniel, was easily able to destroy the bumbling defense put forward by Calley's aging civilian counsel, George W. Latimer. Medina's chief prosecutor was Major William G. Eckhardt, who went into the trial with the record of having unsuccessfully prosecuted two previous Viet Nam atrocity cases. The captain's lawyer, moreover, was the flamboyant Boston attorney F. Lee Bailey, with his vast repertory...

Author: /time Magazine | Title: TRIALS: More About My Lai | 9/27/1971 | See Source »

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