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Word: tenoritis (lookup in dictionary) (lookup stats)
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...Part of what these guys do," she says, "is turning down their volume and melding with what we've got -- and lemme tell ya', honey, we ain't got one- tenth what they do. I've gone to see Carole and Mark (the lead tenor) in recital. When they open up, your heart comes into your mouth and tears come into your eyes and you think, My God, I know this person...

Author: /time Magazine | Title: In Connecticut: Blending Voices | 12/8/1986 | See Source »

Playing with a strong wind at their backs--and Mills and Catliff on their front line--the booters didn't waste any time establishing the tenor of the game...

Author: By Jessica Dorman, | Title: Catliff, Mills Lead Men Booters to Victory | 11/3/1986 | See Source »

...into the ionosphere of improvisation, French intellectuals were happy to welcome these black American outlaws to Paris after World War II. Bud Powell, the pathfinding bop pianist, settled there in the '50s, made friends and musical history and went a little crazy. Dexter Gordon, a crucial link in tenor-sax bop between Lester Young and John Coltrane, spent some time on the Left Bank as well. Now Gordon, 63, returns to play an American jazzman in Paris whose resume blends incidents from his, Powell's and Young's lives...

Author: /time Magazine | Title: Cinema: Blue Notes Over Paris 'round Midnight | 10/6/1986 | See Source »

...version of La Traviata widened the opera's scope with tender reminiscences only implied in the libretto. In Otello, however, flashbacks to the Moor's slave childhood are maudlin, and Zeffirelli's camera, jumping edgily from storm to massed choruses to brawls and bedrooms, tires the mind. As Otello, Tenor Placido Domingo is in robust voice, and Bass Justino Diaz makes a splendidly vile Iago. Yet Zeffirelli's presumption in heavily editing Verdi's taut masterpiece serves neither movie audiences nor opera lovers well, and the patina of homoeroticism that suffuses the film contradicts the heterosexual spirit of both libretto...

Author: /time Magazine | Title: Cinema: Rushes: Oct. 6, 1986 | 10/6/1986 | See Source »

...cast largely with Americans, the Seattle Ring is not in the vocal class of Bayreuth, the Met or San Francisco. Yet Sooter gives a strong, noble account of himself, as does Baritone Julian Patrick as a robust, crafty Alberich. Soprano Johanna Meier makes a touching, feminine Sieglinde and Tenor Emile Belcourt a slick Loge. In the crucial role of Brunnhilde, Soprano Linda Kelm displays a huge voice and an enviable ease of vocal production, but she needs more refinement and a better stage presence before the part will belong to her. Presiding musically is an unlikely figure: Manuel Rosenthal...

Author: /time Magazine | Title: Music: Of Carrousel Horses and Claws | 8/18/1986 | See Source »

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