Word: tenoritis
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...Daughter of the Regiment stands somewhere in that middle ground. In the Wolf Trap production, which has a splendid supporting cast (notably Tenor William McDonald, Bass Spiro Malas, Mezzo Muriel Costa-Greenspun) and is crisply conducted by Charles Wendelken-Wilson, Sills plays Maria, a lowly orphan girl who has been adopted and reared by a regiment of Napoleon's soldiers in the Austrian Tyrol. The love of her life, Tonio, a young peasant who wears short pants and sings a high C at any sign of affection, joins the troop to be near her-alas, just as Marie...
...tenor of the Labor government deeply worried the middle classes. At first it was thought that Wilson, because of his precarious position in Parliament, would attempt to form a moderate consensus government. Instead, he appointed leading members of Labor's outspoken left wing to important Cabinet posts. Anthony (Tony) Wedgwood Benn became Minister for Industry and proposed "planning agreements" with the country's top 100 companies-a first step, many felt, toward outright nationalization. The Exchequer went to Denis Healey, who during last February's campaign pledged that he would cause "howls of anguish" from the rich...
...member of the Governor's inner circle, Moses sang bass to Smith's tenor and soon became, in Smith's words, "the best bill drafter in Albany...
...Caruso: Tenor of the Century (RCA Red Seal; 4 discs; $23.92). There are many Caruso editions available, but this set is good value for the money because of the sound quality. In making the transfers from the original recordings, careful attention was paid to correct pitch, a task necessary because the speed of the old 78s varied among individual records. The collection, covering the years from 1906 to 1920, consists mainly of Italian and French opera and salon music, with half a dozen parlor songs sung approximately in English. "Vecchia zimarra, senti" the bass "Coat Song" from La Boheme...
Died. Robert Field Rounseville, 60, resonant tenor who kicked around for a decade as an underemployed nightclub crooner and vaudevillian before winning critical notice as a smooth, sensitive operatic lead in Debussy's Pelléas et Mélisande in 1948, sang the title roles in Tales of Hoffmann and the original production of Leonard Bernstein's Candide, and headlined as the padre in Man of La Mancha; of a heart attack; in his studio in Manhattan's Carnegie Hall...