Word: tenoritis
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...opera at Vienna's Theater an der Wien was a flop. The orchestra fumbled, the soprano bumbled, the tenor went flat. Critics dismissed the score as long, repetitive and gnarled with outlandish complexities. The production closed after three nights, reopened the following year, folded again after four more performances. The talented 35-year-old composer set the work aside for eight years. Then he undertook extensive revisions. "Hardly a musical number has been left unchanged," he wrote to a Vienna newspaper, "ard more than half the opera was composed anew." Finally, in May 1814, Ludwig van Beethoven...
...opting for a military solution in Southeast Asia. The stepping-up of the air raids into North Vietnam as well as the Administration's apparent intransigence in the face of the February peace feelers has tended to solidify opinion at Harvard against the war and has sharply changed the tenor of debate...
Since the McNamara incident, however, the tenor of protest has shifted. An increasing number of students--many of whom are not members of SDS, the University's leading New Left group--have resolved on an afirmative sort of protest. Last year, only a handful of Harvard students were involved in sit-in demonstrations at U.S. Army bases and a smaller number burned their draft cards. Now almost a quarter of the undergraduates have either signed "We Won't Go" pledges or requested the government to institute "conscientious objector" status on the basis of an individual's dissent from a specific...
...short of Monteverdi's intentions. In his day, singers, not composers or conductors, were kings; and no modern revival can ever recapture their singular contributions to a performance. For instance, two major roles in Poppea, scored for castrato voices, are sung in this recording by a countertenor and tenor, who provide earnest but ghostly approximations of the old score. The album, however, gives fine hints of how early Italian baroque opera sounded: intimate, civilized, and a trifle boring to modern ears...
...Mtsensk District, tells of a frustrated wife who eventually destroys the men around her. All the characters are thoroughly unsympathetic. The recording, part of Capitol's new import of Russian phonography, is disappointing. As the wife, Niconora Andreyeva has spirited dramatic presence, but vocally she is insecure. Tenor Vyascheslav Radzievsky, as her husband, has a thin, weary voice, possibly because he forces it at top volume no matter what the circumstances. The many supporting roles are also sung unevenly, with the emphasis on dramatic display rather than well-placed singing...