Word: tenoritis
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...world there are probably only 15 tenors capable of stepping stage center in the second act of Tristan und Isolde and belting out "Seine eitle Pracht, seinen prahlenden Schein verlacht, wem die Nacht den Blick geweig't." Three of the 15 sing at Manhattan's Metropolitan Opera, a house that rightly prides itself on the size of its singing lineup. But last week, on the eve of a performance of Tristan starring new Soprano Birgit Nilsson (TIME. Dec. 28), the Met's three Heldentenore suddenly found themselves out of voice, the victims of winter colds. (The fact...
Chilean-born Tenor Vinay, 46, had originally been scheduled to sing the role. At noon he called the Met to cancel. German-born Tenor Liebl, 44, who subbed for Vinay at the season's first Tristan, in which Soprano Nilsson scored her dramatic triumph, phoned the Met at 2 to say that he, too, was in no condition to go on. U.S.-born Tenor Albert Da Costa. 33, phoned in at 4 with the same report. With no other Wagnerian tenors available, Bing gave Vinay the first act, Liebl the second and Da Costa the third. Backstage was Throat...
...production as a whole was less exciting. German Tenor Karl Liebl, substituting as Tristan for the ailing Ramon Vinay, had neither stage presence nor the power to match the Nilsson salvos. Baritone Walter Cassel as Kurvenal and Bass Jerome Hines as King Mark both turned in workmanlike performances, and Soprano Irene Dalis was impressive as Brangaene. Conductor Karl Boehm led his orchestra through a methodical reading. As for the decor, with the world's best to choose from, the Met had again picked the second-rate. The sets by German Designer Teo Otto were pedestrian and confusing: starkly realistic...
...final scene the audience was deeply moved by Oedipus (Tenor Gerhard Stolze) staggering onstage before Designer Caspar Neher's abstract backdrop (it looked like a microphotograph of a germ culture) and raising his sightless eyes with a beatific smile. Soprano Varnay refused to watch from the wings because "I dream about such things." Reported TIME Correspondent Paul Moor: "For a non-German-speaking audience, this opera has long, boring stretches because the music is so subservient to the text. Nevertheless, Orff has created a theater work of gripping power...
Lanza Sings Christmas Carols (RCA Victor Stereo). Tenor Lanza, who recorded this album in Italy not long before his death this fall, sings his carols straight, and they have rarely sounded better: Away in a Manger, Hark! The Herald Angels Sing, It Came Upon a Midnight Clear, Silent Night...