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Word: tenoritis (lookup in dictionary) (lookup stats)
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...Conductor Erich Leinsdorf, a Mozart specialist, led the orchestra correctly, but without paprika. Apart from Mezzo Regina Resnik, fine as an old fortuneteller, the only really convincing member of the cast was Walter Slezak, making his Met debut as the pig farmer, Szupán. The son of famed Tenor Leo Slezak, 57-year-old Actor Slezak had wanted to stand on the stage of the Met for as long as he could remember, was delighted when he got his father's old dressing room...

Author: /time Magazine | Title: Music: Goulash Without Paprika | 12/7/1959 | See Source »

Though without much voice-he classifies himself as a "bastard bari-tenor"-Actor Slezak made the audience laugh almost every time he opened his mouth, particularly at his first-act entrance, when he was bundled in fluttery finery and carried a small live pig (rubber diapered) under his arm. Whatever critics thought of the rest of the performance, no one had an unkind word for Walter. Said he: "Maybe the Met should apologize to me for the mixed reviews; I came out shining like a rose...

Author: /time Magazine | Title: Music: Goulash Without Paprika | 12/7/1959 | See Source »

Waiting in the wings for his entrance cue during a Metropolitan Opera performance of The Marriage oj Figaro last week, Tenor Charles Kullman (Don Basilic) suddenly realized that he was missing something: his voice. His vocal cords evidently affected by a lingering cold, Kullman rushed to the dressing room and started desperately croaking at Tenor Gabor Carelli, who was not scheduled to go on (in the role of Don Curzio) until the third act. Carelli looked up amiably from his newspaper. "Quit your kidding, Charlie," he said. When Kullman finally got his message across. Carelli hastily switched costumes and rushed...

Author: /time Magazine | Title: Music: Musical Chairs at the Met | 11/23/1959 | See Source »

Watching the performance from the audience, Tenor Robert Nagy guessed what had happened, hurried backstage and climbed into Carelli's discarded Don Curzio costume. After that, the performance went off without a hitch, despite the fact that Carelli had never sung Basilio at the Met (he had recorded it in Vienna). The audience failed to notice the switch, but Conductor Erich Leinsdorf was shaken. "You should have seen his face," said Tenor Carelli afterward. "He nearly fell off his chair...

Author: /time Magazine | Title: Music: Musical Chairs at the Met | 11/23/1959 | See Source »

Committee Counsel Robert W. Lishman: In that respect, Mr. Kintner, I would like to call your attention to an article which appeared in TIME Magazine April 22, 1957, more than a year before this time. The opening sentence indicates its tenor: "Are the quiz shows rigged?" It points out with reference to a number of quiz shows that there was a great deal of suspicion. It concludes: "The producers seem to be able to control virtually everything except their own fears of losing their audience...

Author: /time Magazine | Title: Show Business: The Ultimate Responsibility | 11/16/1959 | See Source »

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